A Quote by E. L. Doctorow

Poems have ideas. The ideas of poems come out of their emotions and their emotions are carried on images. — © E. L. Doctorow
Poems have ideas. The ideas of poems come out of their emotions and their emotions are carried on images.
I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them.
For poems are not, as people think, simply emotions (one has emotions early enough)-they are experiences.
Everybody has ideas. The vital question is, what do you do with them? My rock musician sons shape their ideas into music. My sister takes her ideas and fashions them into poems. My brother uses his ideas to help him understand science. I take my ideas and turn them into stories.
It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.
Books can also provoke emotions. And emotions sometimes are even more troublesome than ideas. Emotions have led people to do all sorts of things they later regret-like, oh, throwing a book at someone else.
The mystique and the false glamour of the writing profession grow partly out of a mistaken belief that people who can express profound ideas and emotions have ideas and emotions more profound than the rest of us. It isn't so. The ability to express is a special gift with a special craft to support it and is spread fairly equally among the profound, the shallow, and the mediocre.
I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.
Writers can express ideas and emotions that are important to them but have no other means of expression. Some of these ideas may be fantastic, and some of the emotions may be given clearer voice in fantastic fiction.
Poems, to me, do not come from ideas, they come from a series of images that you tuck away in the back of your brain. Little photographic snapshots. Then you get the major vision of the poem, which is like a giant magnet to which all these disparate little impressions fly and adhere, and there is the poem!
Auden is a poet - no, the poet - of unembarrassed intellect. Ideas are his emotions, emotions are his ideas.
I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.
Short stories and poems are an intense burst of emotions.
You can make poems out of anger as well as tenderness. You can make poetry out of anything. It can be the ugliest of emotions. It doesn't have to be sweetness and light.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
Yes, I do often write poems from the mind, but I hope I don't ignore feelings and emotions.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
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