A Quote by E. L. Doctorow
When I'm writing, I like to seal everything off and face the wall, not to look outside the window. The only way out is through the sentences.
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Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.
Sharks attack surfers because they look like a seal. Apparently, when you're layng on your board and you have your arms and legs hanging off, from underneath you look like a seal. So I just got a picture of a seal and put a red line through it and put it underneath my board.
A man or a woman is said to be absorbed when the water has total control of him, and he no control of the water. A swimmer moves around willfully. An absorbed being has no will but the water's going. Any word or act is not really personal, but the way the water has of speaking or doing. As when you hear a voice coming out of a wall, and you know that it's not the wall talking, but someone inside, or perhaps someone outside echoing off the wall. Saints are like that. They've achieved the condition of a wall, or a door.
I remember the day before my dad died, I was in a hospital room with him, and he had lived a long life. He was 94, and I helped him get up, and there were two windows separated by the partition. I took him to the first window, and he kind of found his way to the second window, and on the way there was a mirror, and he looked into it, and I saw through the corner of my eye, I remember the look on his face. What came over his face was "So I'm here. I've crossed that bridge."
One of the qualities of writing that is not much stressed is its problem-solving aspect, having to do with the presentation of material: how to structure it, what sort of sentences (direct, elliptical, simple or compound, syntactically elaborate), what tone (in art, "tone" is everything), pacing. Paragraphing is a way of dramatization, as the look of a poem on a page is dramatic; where to break lines, where to end sentences.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
We found a way to make things look great to the human eye through the window of a graphical web browser without worrying about what everything looked like under the hood.
Then is what you see through this window onto the world so lovely that you have no desire whatsoever to look out through any other window, and that you even make an attempt to prevent others from doing so?
If you look at Iraq and Afghanistan's situations, they are quickly becoming much like our reservations. They will have puppet governments funded and controlled by a U.S. Government that siphoned off their resources. You don't have to be an English major to read the writing on the wall; I am in here as a warning to others, just like those men who are in Guantanamo are a warning to others - if you stand up to us you face these same consequences.
What I'm really involved in when I'm writing is something that no one ever mentions when they see any play. Writing is like trying to make gunpowder out of chemicals. You have these words and sentences and the strange meanings and associations that are attached to the words and sentences, and you're somehow cooking these things all up so that they suddenly explode and have a powerful effect. That's what absorbs me from day to day in writing a play.
I can't look at 'WALL-E' or 'Finding Nemo' or 'Up' and look at in the same way as people outside of the company would look at it. Each one of them had angst.
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
When you're big to the point that you're unhealthy, it's like you see life through a window. You can look at everything going on, but now I can experience it.
If you're trying to get someone who's sick with a fever off of a submarine and it's cold and raining outside, the only way in and out of a submarine, generally, is through a fairly narrow hatch.
Yes, it is better to look from the window than not to look at all, but to look through the window cannot be compared to the windowless sky.
Thanks to the Internet, I think, a lot of hate has moved to more anonymous venues. A lot of people get their aggression out that way. Or they do some drive-by hating—you know, where they’re in a car and they yell something stupid out the window at a stoplight and then take off. It’s just not as involved and laborious to be a hater as it used to be. There’s not as much face-to-face interaction. Facebook’s made ’em lazy.
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