A Quote by E. L. James
Women basically want the same thing - a good passionate story, a great fantasy - and for our partners to do the laundry and the washing up.
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Fantasy fans are incredibly loyal and passionate. Other people don't want to be seen as passionate about things, they want to be cool and laconic. The great thing about fantasy fans is they'll really get behind a show.
Vacuuming is great. I do the laundry. I love washing machines. I'm the maid in my house.
The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.
When it comes to women, our perfectionism gives us a lot of grief. Women want to be super moms, super partners and super performers at work - and all at the same time. That's stressful.
One can hardly tell women that washing up saucepans is their divine mission, [so] they are told that bringing up children is their divine mission. But the way things are in the world, bringing up children has a great deal in common with washing up saucepans.
When I was a chain smoker, I used to wake up and the first thing I'd do was reach for a cigarette, basically. And now I do the same thing for a smartphone, basically.
If it is a fantasy fiction, and you want to portray a story of a vampire, you have to keep the essence of the story same. But if you have to have five episodes a week, where do we get so much content from?
The plight of the actor, even if he's a star, is the plight of the women's movement. They're saying the same thing to us: get into bed, give me a good time, then give me something to eat, go get the laundry, be a good girl.
Through our great good fortune, in our youth our hearts were touched with fire. It was given to us to learn at the outset that life is a profound and passionate thing.
The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesn't obey the laws of physics, make sure that it has a fantasy explanation.
It's easier for me to write certain character types because of my own life experiences, but I find it too artistically limiting to only write about red-headed kids who grew up in small town Montana. That's really part of the fun of fantasy, I think. Our imagination is basically unlimited. Okay, that's a terrifying thing about fantasy, too.
The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesnt obey the laws of physics, make sure that it has a fantasy explanation.
It's a purging of sorts. Like, when you're all done doing your laundry and it's fresh and bright, but washing the clothes, you wouldn't want to get in while it's spinning around.
I watched a lot of television as a kid, and the suburbs to me - that was exotic! Like, a mom and dad who lived in the same house and had jobs and cooked breakfast at the same time every morning and did laundry in a washing machine and dryer? That was like, 'Woah! Who are they? How do you get to be like that?'
Eva is a story of repetition. It is a story where our protagonist faces the same situation many times over and determinedly picks himself back up again. It is a story of the will to move forward, even if only a little. It is a story of the resolve to want to be together, even though it is frightening to have contact with others and endure ambiguous loneliness. I would be most gratified if you found enjoyment in these four parts as it takes the same story and metamorphoses it into something different.
I look at the story and see what I have got to do in the film. Sometimes the story is great, set-up is good but there isn't much for you to do. I don't want to do that.
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