A Quote by E. Lockhart

There was nothing I could say in retaliation except something that would confuse her. — © E. Lockhart
There was nothing I could say in retaliation except something that would confuse her.
They sat quietly together for a few minutes, Joe holding Fiona's hand, Fiona sniffling. No flowery words, no platitudes passed between them. Joe would have done anything to ease her suffering, but he knew nothing he might do, or say, could. Her grief would run its course, like a fever, and release her when it was spent. He would not shush her or tell her it was God's will and that her da was better off. That was rubbish and they both knew it. When something hurt as bad as this, you had to let it hurt. There were no shortcuts.
When Hale's hand disappeared inside his tuxedo jacket, Macey wasn't exactly sure what he'd find inside the pocket. It could have been another phone or a breath mint. Really, nothing would have surprised her. Well nothing except... "Is that an earbud?" she whispered. He smiled. "Are you on comms?" "Shhh," he told her softly.
If I heard a girl crying help I would go to save her; But you hardly ever hear those words. Dear children, you must try to say Something when you are in need. Don't confuse hunger with greed; And don't wait until you are dead.
When you say something really unkind, when you do something in retaliation your anger increases. You make the other person suffer, and he will try hard to say or to do something back to get relief from his suffering. That is how conflict escalates.
My sister, with her ratty red-highlighted hair and her linen pajamas and her combat boots—how could she possibly worry about being possessed by a goddess? What goddess would want her, except the goddess of chewing gum?
Miss Marple believes in justice and has very high standards. There is nothing you could say or do that would shock her.
She wanted nothing that he could offer her, except perhaps his absence.
He couldn't say it. He couldn't tell her how much she had come to mean to him. She could destroy him with her rejection. If she had feigned her feelings for him - if he'd bought into her lies and her quest for freedom... He wasn't sure what he would do. He could hurt her.
Perhaps you could call your cat Meow so it could say it's own name. Or how about Stupid Cat Get Out Of Here. That would really confuse it if you tried to call it over to you.
And is an ending always bad? it asked. Must not all things, even worlds, someday end?"There is no need to hasten that end," Vin said. "No reason to force it."All things are subject to their own nature, Vin, Ruin said, seeming to flow around her. She could feel its touch upon her - wet and delicate, like mist. You cannot blame me for being what I am. Without me, nothing would end. Nothing could end. And therefore, nothing could grow. I am life. Would you fight life itself?
If an artist may say nothing except what he has invented by his own sole efforts, it stands to reason he will be poor in ideas. If he could take what he wants wherever he could find it, as Euripides and Dante and Michelangelo and Shakespeare and Bach were free, his larder would always be full, and his cookery might be worth tasting.
What do you mean less than nothing? I don't think there is any such thing as less than nothing. Nothing is absolutely the limit of nothingness. It's the lowest you can go. It's the end of the line. How can something be less than nothing? If there were something that was less than nothing, then nothing would not be nothing, it would be something - even though it's just a very little bit of something. But if nothing is nothing, then nothing has nothing that is less than it is.
One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.
You're not the way everyone says you are," Kaye said, looking at him so fiercely that he couldn't meet her gaze. "I know you're not." "You know nothing of me," he said. He wanted to punish her for the trust he saw on her face, to raze it from her now so that he would be spared the sight of her when that trust was betrayed. He wanted to tell her he found her impossibly alluring, at least half enchanted, body bruised and scratched, utterly unaware she would not live past dawn. He wondered what she would say in the face of that.
The fantasy I've always had is that somehow I could move back in time. I would like to be there when Susan B. Anthony was dying, or someone like that. I would say to her, 'You won't believe what's going to happen.' And then I would tell her.
Tessa had begun to tremble. This is what she had always wanted someone to say. What she had always, in the darkest corner of her heart, wanted Will to say. Will, the boy who loved the same books she did, the same poetry she did, who made her laugh even when she was furious. And here he was standing in front of her, telling her he loved the words of her heart, the shape of her soul. Telling her something she had never imagined anyone would ever tell her. Telling her something she would never be told again, not in this way. And not by him. And it did not matter. "It's too late", she said.
This site uses cookies to ensure you get the best experience. More info...
Got it!