A Quote by E. M. Forster
This element of surprise or mystery — the detective element as it is sometimes rather emptily called — is of great importance in a plot. It occurs through a suspension of the time-sequence; a mystery is a pocket in time, and it occurs crudely, as in "Why did the queen die?" and more subtly in half-explained gestures and words, the true meaning of which only dawns pages ahead. Mystery is essential to a plot, and cannot be appreciated without intelligence.
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This element of surprise or mystery the detective element as it is sometimes rather emptily called is of great importance in a plot.
The first mystery is simply that there is a mystery, a mystery that can never be explained or understood, only encountered from time to time. Nothing is obvious. Everything conceals something else.
If death disappears there will be no mystery in life. That's why a dead thing has no mystery in it, a corpse has no mystery in it, because it cannot die anymore. You think it has no mystery because life has disappeared? No, it has no mystery because now it cannot die anymore. Death has disappeared, and with death automatically life disappears. Life is only one of the ways of death's expression.
But though every created thing is, in this sense, a mystery, the word mystery cannot be applied to moral truth, any more than obscurity can be applied to light. ... Mystery is the antagonist of truth. It is a fog of human invention, that obscures truth, and represents it in distortion. Truth never envelops itself in mystery, and the mystery in which it is at any time enveloped is the work of its antagonist, and never of itself.
It is a little out of touch to presume that someone wants to follow your every observation and insight over the course of hundreds of pages without any sort of payoff. That's why writing isn't a one-way street. You have to give something back: an interesting plot, a surprise, a laugh, a moment of tenderness, a mystery for the reader to piece together.
The heart of it all is mystery, and science is at best only the peripheral trappings to that mystery--a ragged barbed-wire fence through which mystery travels, back and forth, unencumbered by anything so frail as man's knowledge.
Poetry never loses its appeal. Sometimes its audience wanes and sometimes it swells like a wave. But the essential mystery of being human is always going to engage and compel us. We're involved in a mystery. Poetry uses words to put us in touch with that mystery. We're always going to need it.
Life is a mystery; that means it cannot be solved. And when all efforts to solve it prove futile, the mystery dawns upon you. Then the doors are open; then you are invited. As a knower, nobody enters the divine; as a child, ignorant, not knowing at all- the mystery embraces you. With a knowing mind you are clever, not innocent. Innocence is the door.
We also maintain - again with perfect truth - that mystery is more than half of beauty, the element of strangeness that stirs the senses through the imagination.
I believe in mystery and, frankly, I sometimes face this mystery with great fear. In other words, I think that there are many things in the universe that we cannot perceive or penetrate, and that also we experience some of the most beautiful things in life only in a very primitive form. Only in relation to these mysteries do I consider myself to be a religious man.
Anyone who has ever tried to plot a detective mystery knows that the hardest thing to come up with is motive.
I try to hang on to as much mystery as possible. How can we go through our lives not wanting to have any element of surprise?’
Mystery is the essential element of every work of art.
When something out of the ordinary happens, it is ridiculous to say that it is a mystery or a portent of something to come... the mystery is created in (their) minds, and by waiting for disaster, it is from their very minds that it occurs.
The mystery lies in the here and now. The mystery is: What is one to do with oneself? As you get older you begin to realize the trick time is playing, and that unless you do something about it, the passage of time is nothing but the encroachment of the horrible banality of the past on the pure future. The past devours the future like a tape recorder, converting pure possibility into banality. The present is the tape head, the mouth of time. Then where is the mystery and why bother kicking through the ashes? Because there is a clue in the past.
You do not need to belong to the cat for a long time to realize the main thing that cats like to do is to wrap theirselves up in mystery, perhaps only except for a hobby of jumbling up everything that is in order. And if the cat can, and usually so, make a great mystery of where it was when you were searching for it even if a moment ago it was sitting by your side, do not have any doubts: its ancestors had a great pleasure to surround its origin by mystery.
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