A Quote by E. M. Forster
It is not that the Englishman can't feel-it is that he is afraid to feel. He has been taught at his public school that feeling is bad form. He must not express great joy or sorrow, or even open his mouth too wide when he talks-his pipe might fall out if he did.
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The Englishman's strong point is his vigorous insularity; that of the American his power of adaptation. Each of these attitudes has its perils. The Englishman stands firmly on his feet, but he who merely does this never advances. The American's disposition is to step forward even at the risk of a fall.
Speech and silence. We feel safer with a madman who talks than with one who cannot open his mouth.
For a split second longer she stood motionless. Then, somehow, she had caught at the front of his shirt and pulled him toward her. His arms went around her, lifting her almost out of her sandals, and then he was kissing her—or she was kissing him, she wasn’t sure, and it didn’t matter. The feel of his mouth on hers was electric; her hands gripped his arms, pulling him hard against her. The feel of his heart pounding through his shirt made her dizzy with joy. No one else’s heart beat like Jace’s did, or ever could.
As the priest is characterized by his cassock, so the smoker by his pipe. The way in which he holds it, raises it to his lips, and knocks out the ashes, reveals his personality, habits, passions, and even his thoughts.
He who immerses himself in sexual intercourse will be assailed by premature aging, his strength will wane, his eyes will weaken, and a bad odour will emit from his mouth and his armpits, his teeth will fall out and many other maladies will afflict him.
It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him.
I never met Johnny Cash personally, but I feel like I did because I listened to so much of his music, and even though he's gone, it's still there: you can go pull a vinyl record out and hear his personal thoughts and his voice and feel connected to him.
Immortality—dazzling idea! who first imagined thee! Was it some jolly burgher of Nuremburg, who with night-cap on his head, and white clay pipe in mouth, sat on some pleasant summer evening before his door, and reflected in all his comfort, that it would be right pleasant, if, with unextinguishable pipe, and endless breath, he could thus vegetate onwards for a blessed eternity? Or was it a lover, who in the arms of his loved one, thought the immortality-thought, and that because he could think and feel naught beside!—Love! Immortality!
Whenever we feel lost, or insane, or afraid, all we have to do is ask for His help. The help might not come in the form we expected, or even thought we desired, but it will come, and we will recognize it by how we feel. In spite of everything, we will feel at peace.
...Bringing the very heavens close enough to touch. It was Zsadist. His eyes closed, his head back, his mouth wide open, he sang. The scarred one, the souless one, had the voice of an angel.
He loves so wholly. It is his nature. He blinks, then tries to find the right response. "I-" he stumbles. "I'm so afraid, June. So afraid of what might happen to-" I put two fingers against his lips to hush him. "Fear makes you stronger," I whisper. Before I can stop myself, I put my hands on his face and press my mouth to his.
Let our pupil be taught that he does not belong to himself, but that he is public property. Let him be taught to love his family, but let him be taught at the same time that he must forsake and even forget them when the welfare of his country requires it.
Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.
"Oh, ancient god, whatever your name," whispered Ahmed. "Help this lost son of a good father, this evil boy who meant no harm but slept in school, ran errands slowly, did not pray from his heart, ignored his mother, and did not hold his family in great esteem. For all this I know I must suffer. But here in the midst of silence, at the desert's heart, where even the wind knows not my name? Must I die so young? Am I to be forgotten without having been?"
It is supposed by some that religion makes people solemn, takes the sunshine out of their life, the joy out of their heart, the song out of their mouth. But the reverse of this is the truth. No other one in the world has such secrets of joy as has the Christian. Christ teaches his followers to rejoice. He bids them rejoice even in sorrow and trial.
An artist, if he's unselfish and passionate, is always a living protest. Just to open his mouth is to protest: against conformism, against what is official, public, or national, what everyone else feels comfortable with, so the moment he opens his mouth, an artist is engaged, because opening his mouth is always scandalous.
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