A Quote by E. M. Forster
What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.
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Have been reading "Genesis" several Sundays, not as a Christian reads for "spiritual consolation," "instruction," etc., not as aninfidel reads to carp and quarrel and criticize, but as one who wishes to be informed and furnished in the earliest and most wonderful of all literary productions. The literature of the Bible should be studied as one studies Shakespeare, for illustration and language, for its true pictures of man and woman nature, for its early historical record.
Let no man's place, or dignity, or riches, puff him up; and let no man's low condition or poverty abase him. For the chief points are faith towards God, hope towards Christ, the enjoyment of those good things for which we look, and love towards God and our neighbor.
You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What-doesn't make a difference!
A mere literary man is a dull man; a man who is solely a man of business is a selfish man; but when literature and commerce are united, they make a respectable man.
Literature... is condemned (or privileged) to be forever the most rigorous and, consequently, the most reliable of terms in which man names and transforms himself.
Literature is the effort of man to indemnify himself for the wrongs of his condition.
The man who reads nothing at all is better educated than the man who reads nothing but newspapers.
I think that Poe is so resonant because he represents that part of us that is in misery or sorrowful or wants to explore the darkness. He wrote a great story called 'The Imp of the Perverse' about the instinct towards self-destruction. Poe is the godfather of Goth literature and that whole movement.
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
'Merry Wives of Windsor' is a wonderful machine. It's one of the great farces, and it's astonishing to remember that this is written by the same man who wrote 'Hamlet,' 'The Taming of the Shrew' or 'Cymbeline.' It's so similar, and yet the form is so different.
You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What - doesn't make a difference! Doesn't make a difference. I think he did a good job.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
The present generation, wearied by its chimerical efforts, relapses into complete indolence. Its condition is that of a man who has only fallen asleep towards morning: first of all come great dreams, then a feeling of laziness, and finally a witty or clever excuse for remaining in bed.
I like a mysterious man. I like a man who reads and is knowledgeable about the world, but who doesn’t have to brag about it.
He who is insolent towards men is insolent towards God... Respect in man the grand, inestimable image of God and be forbearing towards the faults and errors of fallen man, so that God may be forbearing towards your own.
No man ever raised a monument to a cynic or wrote a poem about a man without faith.
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