A Quote by E. M. Forster

We are all like Scheherazade's husband, in that we want to know what happens next. — © E. M. Forster
We are all like Scheherazade's husband, in that we want to know what happens next.
I love watching scary movies because you always wonder what happens next, and that's what's going to happen on 'The Haunting Hour:' you're always going to want to know what happens next.
In the last volume of In Search of Lost Time, Proust compares himself to Scheherazade: he says he has finally understood the nature of the book he has to write, just at the moment when his advancing years and declining health have made him doubt that he's going to live long enough to write it. So he has to write against death like Scheherazade.
My intention was to grapple with the metaphysical meaning behind Scheherazade and present that meaning in its essence. Scheherazade is the symbol of the savior. She weaves tales not to save her own life, but to save humanity from its unending retributive response to injury.
I believe the most important thing you can do in any kind of novel is to make your reader want to go on with it and want to know what happens next.
My ex-husband happens to be one of the most gifted moviemakers. And what is so bizarre about working with someone like that? I guess it is bizarre to be good friends with your ex-husband.
I like to start with the ordinary, and then nudge it, and then think, 'What happens next, what happens next?'
Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.
As a reader, I happen to like turning pages and wanting to know what happens next.
You are at some point exposed to a wonderful story, and you really want to know what happens next, so you learn to read in order to find out.
As a filmmaker, it's not my intent to trigger or shape national discourse. My task is to make as powerful and understandable a film as I can. What happens next is what happens next.
There's a special joy you get having a show on the air that people are interested in and wanting to know what happens next. You really want to enjoy that while you have it.
I don't want people thinking of me sexually. I don't want people to be like, 'She's hot-looking,' you know? I want them to listen to me for what I am saying. And I think the best way to do that is to sniff my armpits, and like, sit and burp every now and then. It just completely throws people off. I had a couple of offers to do some hot scenes in the shower with some guy and to make it real hot and sexy. The next thing you know, I'd be the next J.Lo or something. But that's easy. I want it the hard way.
For me, the writing process is the same as the reading process. I want to know what happens next.
I look for characters that interest me, and a story that keeps me involved and makes me want to know what happens next.
Around 2010, I kind of looked up and said, I'm 40 years old. You know, I chose music. I don't have a husband. I don't have any kids. Like, I chose music. So, I had to make a decision. Like, do I want to do something else, or do I want to go from journeyman to master? And I realized, I want to be a really good musician.
I'm husband hunting. Now, I know all the men are going to be gay but at this point, I need a new gay husband. Or, a new lesbian assistant. If you want something done, tell a lesbian and the she'll chop down a tree. Something like that.
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