A Quote by E. M. Forster
Only a writer who has the sense of evil can make goodness readable.
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Great books are readable anyway. Dickens is readable. Jane Austen is readable. John Updike's readable. Hawthorne's readable. It's a meaningless term. You have to go the very extremes of literature, like Joyce's "Finnegan's Wake," before you get a literary work that literally unreadable.
Evil denotes the lack of good. Not every absence of good is an evil, for absence may be taken either in a purely negative or in aprivative sense. Mere negation does not display the character of evil, otherwise nonexistents would be evil and moreover, a thing would be evil for not possessing the goodness of something else, which would mean that man is bad for not having the strength of a lion or the speed of a wild goat. But what is evil is privation; in this sense blindness means the privation of sight.
Goodness has no opposite. Most of us consider goodness as the opposite of the bad or evil and so throughout history in any culture goodness has been considered the other face of that which is brutal. So man has always struggled against evil in order to be good; but goodness can never come into being if there is any form of violence or struggle.
Badness cannot succeed even in being bad in the same way in which goodness is good. Goodness is, so to speak, itself: badness is only spoiled goodness. Evil is a parasite, not an original thing.
The only good thing we can do, the only goodness we can be sure of, is our own goodness as individuals and the good that we can individually do. As groups we often do evil that good may come and very often the good does not come and all that is left is the evil we have pointlessly done.
Up until today evil has lured goodness into evil, but goodness has not been able to lure evil into goodness. This may be the reason why up to today Christianity has not been able to boldly fulfill the Will of God.
I think goodness is very powerful, but often evil is made more attractive in films. It's a challenge to make goodness appealing.
In the middle of everything evil, in an evil place, you can find goodness. Goodness. I'd even call it godliness.
By experience; by a sense of human frailty; by a perception of "the soul of goodness in things evil;" by a cheerful trust in human nature; by a strong sense of God's love; by long and disciplined realization of the atoning love of Christ; only thus can we get a free, manly, large, princely spirit of forgiveness.
Goodness was more difficult than evil. Evil men knew that more than good men. That's why they became evil. That's why it stuck with them. Evil was for those who could never reach the truth. It was a mask for stupidity and lack of love. Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn't matter -- it was none of those things, he said, and it had to be fought for.
Evil is thus a kind of parasite on goodness. If there were no good by which to measure things, evil could not exist. Men sometimes forget this, and say, there is so much evil in the world that there cannot be a God. They are forgetting that, if there were no God, they would have no way of distinguishing evil from goodness. The very concept of evil admits and recognizes a Standard, a Whole, a Rule, an Order. Nobody would say that his automobile was out of order if he did not have a conception of how an automobile ought to run.
But goodness alone is never enough. A hard, cold wisdom is required for goodness to accomplish good. Goodness without wisdom always accomplishes evil.
The true secret of natural goodness lies in the recognition of the contending rights of the Pairs of Opposites; there is no such antimony as between Good and Evil, but only balance between two extremes, each of which is evil when carried to excess, both of which give rise to evil if insufficient for equipoise.
A serious life, by definition, is a life one reflects on, a life one tries to make sense of and bear witness to. Truth in a memoir is achieved not through a recital of actual events; it is achieved when the reader comes to believe that the writer is working hard to engage with the experience at hand. What happened to the writer is not what matters; what matters is the large sense that the writer is able to make of what happened.
It's meant to be seen rolling so it should be big and readable. Wildstyles on trains didn't make much sense to me when I first started and they still don't today.
The discrimination between good and evil is in man's soul. Every man can judge that for himself, because in every man is the sense of admiration of beauty. Happiness only lies in thinking or doing that which one considers beautiful. Such an act becomes a virtue or goodness.
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