A Quote by E. M. Forster
One always tends to overpraise a long book, because one has got through it.
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It is singular how impatient men are with overpraise of others, how patient of overpraise of themselves; and yet the one does them no injury, while the other may be their ruin.
How long a book tends to illustrate depends on the book. The Awful Aunty took me 10 days.
In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes.
Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
A book, being a physical object, engenders a certain respect that zipping electrons cannot. Because you cannot turn a book off, because you have to hold it in your hands, because a book sits there, waiting for you, whether you think you want it or not, because of all these things, a book is a friend. It’s not just the content, but the physical being of a book that is there for you always and unconditionally.
When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things [...] The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process.
I thought, 'Nobody wants this book, and I'm an idiot for having worked on it so hard.' But to succeed in writing, you must be willing to look stupid for a long time. 'Pachinko' took so long because I got it wrong so many times.
The world under heaven, after a long period of division, tends to unite; after a long period of union, tends to divide. This has been so since antiquity.
Even if you are lucky enough to sell a trilogy, you don't know if you'll ever get to write that whole trilogy. I have many friends who had very long arcs planned in multi-book series that they never got to write because the first book didn't perform.
The trouble is, being an actor, you're always being sent scripts, so you've always got something to read. You've always got about three scripts to read, that you have to read, all the time. So finding a book or getting into a book series is hard, especially for me.
I always want to live long enough to finish the book I'm working on and see it published. But then I start another book before the previous one is in the stores, so I always have a reason to go on.
Honestly, my entire childhood could be summed up with one word: Reader. I was always hunched over a book; in fact, I was the only kid in the world who got paler in the summer, because I'd sneak down into our cool, dank cellar and sit alone with a book for hours.
I'm always depressed when a book ends, because those are my friends for however long the book takes to write. Since I spend so many hours with these fictional people, I sometimes see them more than my real friends. And then they're gone, and we'll never be together like that again.
I thought, well I can do that. I couldn't be bothered writing a book review, because I'd have to read the book, I haven't got time to read a whole book for a fifty dollar write-up.
I was always known as that stocky, muscular, powerful, short, athlete. People always wondered if I was on steroids, and it was because I wasn't that long and lean, flexible, artistic gymnast. It didn't affect me too much but it got to the point where I tried to be that long and lean gymnast, and it just wasn't possible.
When an older writer tries to tell a younger writer through a review what kind of career she should be pursuing, it tends to speak to the reviewer's anxieties rather than the book itself.
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