A Quote by E. O. Wilson
In a purely technical sense, each species of higher organism-beetle, moss, and so forth, is richer in information than a Caravaggio painting, Mozart symphony, or any other great work of art.
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I have been told that a young would-be composer wrote to Mozart asking advice about how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and it would be better to start with something simpler. The young man protested, 'But, Herr Mozart, you wrote symphonies when you were younger than I am now.' Mozart replied, 'I never asked how.
Cartoons are perhaps a bigger part of art than is generally realized, and they influence people in ways that are not always recognized. But creating a monumental work of architecture, or writing a great symphony, is something else. It's a higher order of creation.
When a pianist sits down and does a virtuoso performance he is in a technical sense transmitting more information to a machine than any other human activity involving machinery allows.
The person who appreciates a great work of art has the feeling that the work grows in him as he becomes involved in a prolonged capturing of emerging marginal meanings. He feels that he, too, is creative, that he himself is adding to his experience and understanding. Moreover, he wants to confront the work of art many times. He is not easily tired of it, as he would be had he read a purely logical statement. He realizes that the work of art does not merely transmit information; it produces pleasure.
The Creator would appear as endowed with a passion for stars, on the one hand, and for beetles on the other, for the simple reason that there are nearly 300,000 species of beetle known, and perhaps more, as compared with somewhat less than 9,000 species of birds and a little over 10,000 species of mammals.
Above all, the photographs I use are not arty in any sense of the word. I think photography is dead as fine art; its only place is in the commercial world, for technical or information purposes.
I think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.
When we look at a painting, or hear a symphony, or read a book, and feel more Named, then, for us, that work is a work of Christian art. But to look at a work of art and then to make a judgment as to whether or not it is art, and whether or not it is Christian, is presumptuous. It is something we cannot know in any conclusive way. We can know only if it speaks within our own hearts, and leads us to living more deeply with Christ in God.
If you think about art, if you look at Rembrandt and Vermeer and Caravaggio, if you look at Turner and Constable and all the Impressionists and the Hudson River School, there's a tradition of light in art, especially painting.
You have to ask yourself: how much does any one person or one family need? And when you start thinking about the universe as an organism, it's important that we, as components of that organism, take care of each other and ourselves.
Most people think visual information is more important than aural information - like, what's this big deal about sound? And why should I bother to listen, rather than look? And here are the facts: there are blind species, in the backs of the caves, the bottoms of the oceans. It's not essential on planet Earth to be able to see, to be a species. But there are no deaf animal species. You have to be able to hear, or you won't get the information you need in order to survive.
I conceive of the film as a modern art form particularly interesting to the sense of sight. Painting has its own peculiar problems and specific sensations, and so has the film. But there are also problems in which the dividing line is obliterated, or where the two infringe upon each other. More especially, the cinema can fulfill certain promises made by the ancient arts, in the realization of which painting and film become close neighbors and work together.
What you have to do is disavow yourself from any sense other than ascendancy. That's the only direction you could possibly have towards painting. There's no other direction at all. There's no other space in art. There's no other way in which you can find yourself except in somehow feeling it. And by holding to this feeling you can once again reach out and guess and miss - and sometimes hit.
Jimmy Baldwin was the creator of contemporary American speech even before Americans could dig that. He created it so we could speak to each other at unimaginable intensities of feeling, so we could make sense to each other at yet higher and higher tempos.
Pope Francis tells us who he is by pointing to Caravaggio's St. Matthew: 'Here, this is me, a sinner on whom the Lord has turned his gaze.' He is telling us that he has experienced the same rush of speechless wonder and graced love Caravaggio depicts in his painting.
An education, other than purely professional or technical, can even seem to be an impediment.
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