A Quote by E. W. Howe
When people hear good music, it makes them homesick for something they never had, and never will have.
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Information is floating around really fast. I write something, or a piece of my music comes out and I see people writing about it on the Internet as if I'm having a conversation with them. We've never met, but somehow, my music is communicating something to them. Very often, it really makes them feel something.
I will never, never ever sing on stage, but when I'm in the studio, I do sing melody lines. When I'm working with singer-songwriters, and I hear melodies, I can guide them. I will be like, 'Oh no, do this this this.' But you will never hear my voice on a Martin Garrix track.
I just write all the time. In my whole life I've never had what I've heard people talk about writer's block. I've never had that. Life is like a song to me. I just hear everything in music, so I have never once thought "Well, I'm never gonna be able to write again." I've got thousands of songs.
I grew up with the motto of "they can't kill you and eat you," and I still think that's right. You sure as hell can't! When it comes to speaking about my body makes other people uncomfortable but it doesn't make me uncomfortable. It makes them think more about themselves than it makes them judge me. I've always had this body and had to live with it. I've never been a little thing. I've been smaller but I've never been small, even as a baby. I've never had that window into that kind of world where people only talk to you because you're conventionally sexy.
Soul music is true to its name. It's music that connects to your soul, your spirit. When music resonates with people's spirit like that, when people can emotionally connect with something or it helps to heal them, transform them, that never goes out of style. People will always need something to relate to.
I will have a defensive back on my side, and Peyton will place it in the perfect spot. It's something I had never seen before. Never. They say I have good corners covering me. But it's hard for them with Peyton.
He felt homesick for places he had never been. He missed hearts he had never loved.
Jimi Hendrix once said, 'You will never hear surf music again.' Well, tonight, you will hear 'serf' music again - S-E-R-F music.
Until you have a son of your own . . . you will never know the joy, the love beyond feeling that resonates in the heart of a father as he looks upon his son. You will never know the sense of honor that makes a man want to be more than he is and to pass something good and hopeful into the hands of his son. And you will never know the heartbreak of the fathers who are haunted by the personal demons that keep them from being the men they want their sons to be.
These are all novels, all about people that never existed, the people that read them it makes them unhappy with their own lives. Makes them want to live in other ways they can never really be.
We seldom know what we're hearing when we hear something for the first time, but one thing is certain: we hear it as we will never hear it again. We return to the moment to experience it, I suppose, but we can never really find it, only its memory, the faintest imprint of what really was, what it meant.
I've had to work hard all my life, and I will never, ever ask a fan or reader to pay for something I've rushed. It's not fair to them, and I will never give them anything except my absolute best.
Every dreamer knows that it is entirely possible to be homesick for a place you've never been to, perhaps more homesick than for familiar ground.
The people wanted to believe that the Negroes couldn't learn to read music but had a natural talent for it. So we never played with no music. I'd get all the latest Broadway music from the publisher, and we'd learn the tunes and rehearse them until we had them all down pat- never made no mistakes. All the high-tone, big-time folks would say, isn't it wonderful how these untrained, primitive musicians can pick up all the latest songs instantly without being able to read music?
You figure out how to create opportunities to make music, and then, if you take care of the music, audiences will come around. They also might leave. What matters is the moment: the moment of making music, with and for and among others, and what that offers to those people in that moment. They might never see me again; they might never learn my name. But it might still be something they carry with them.
I think it’s important to have a good hard failure when you're young. I learned a lot out of that. Because it makes you kind of aware of what can happen to you. Because of it I’ve never had any fear in my whole life when we’ve been near collapse and all of that. I’ve never been afraid. I’ve never had the feeling I couldn’t walk out and get a job doing something.
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