A Quote by Earl Scruggs
I worked with a guy, I can't think of his name, him and his wife, and one of them had a saxophone and the other played drums. It wasn't a regular job but I did a few gigs around home with them.
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Marvin Gaye was a killer drummer. I think he just played during the soundchecks and he'd have another guy sing his parts while he played the drums. He just wanted to play the drums and have some fun.
... bear with him as Our Lord bore with His disciples, who gave Him good reason to complain - at least, some of them did. Yet, He allowed them to remain in His company and tried to bring them around gently.
The prospect Smiler was a manic farmer. Few men I think can have been as unfortunate as he; for on the one hand he was a melancholic with a loathing for mankind, on the other, some paralysis had twisted his mouth into a permanent and radiant smile. So everyone he met, being warmed by his smile, would shout him a happy greeting. And beaming upon them with his sunny face he would curse them all to hell.
I'd like to be remembered as a guy that came along and did his music, did his best and showed up on time, clean and ready to do the job, wrote a few songs and had a hell of a time.
I'd like just to be remembered as a guy that came along and did his music, did his best and showed up on time, clean and ready to do the job, wrote a few songs, and had a hell of a time.
My cousin Joey played the drums. We used to go to his house, I liked beating on his drums. I beat the hell out of 'em, you know? Finally in 1961, I don't know, I guess I was about 15, I got serious about it. My parents bought me a little drum set and I was playing for about 6 months when I started doing gigs.
O friends, be men; so act that none may feel Ashamed to meet the eyes of other men. Think each one of this children and his wife, His home, his parents, living yet and dead. For them, the absent ones, I supplicate, And bid you rally here, and scorn to fly.
Now let's move on to the subject of how a real man treats his wife. A real man doesn't slap even a ten-dollar hooker around, if he's got any self-respect, much less hurt his own woman. Much less ten times over the mother of his kids. A real man busts his ass to feed his family, fights for them if he has to, dies for them if he has to. And he treats his wife with respect every day of his life, treats her like a queen - the queen of the home she makes for their children.
Is it any wonder the power this man held over me - this man who did not run from his demons like most of us do, but embraced them as his own, clutching them to his heart in a choke-hold grip. He did not try to escape them by denying them or drugging them or bargaining with them. He met them where they lived, in the secret place most of us keep hidden. Warthrop was Warthrop down to the marrow of his bones, for his demons defined him; they breathed the breath of life into him; and without them, he would go down, as most of us do, into the purgatorial fog of a life unrealized.
I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.
We were very - we were a working family, and my father had this very simple philosophy, simple working class approach. If you spoke to my father and said, "Mr Smith across the road, what do you think of Mr Smith?", he'd only - he'd only say a couple of words. He'd say, "He's a worker", and that meant this bloke got up in the morning, went out, worked, brought his money home, fed his wife and kids, housed them, got them to school, educated them, made sure they were safe and all that. It had so much connotations to it.
I counterfeited Mark Kostabi's artworks. During the eighties, Mark didn't paint his own paintings. Instead, he had other artists painting them, and he just added his signature. So what I did was to use some of the same painters, and signed his name myself.
Jesus never tried to hide his loneliness and dependence on other people. He chose his disciples not as servants but as friends. He shared moments of joy and grief with them, and asked for them in times of need. They became his family, his substitute mother and brothers and sisters. They gave up everything for him, as he had given up everything for them. He loved them, plain and simple.
Jesus has many lovers of His kingdom of heaven, but he has few bearers of His Cross. Many desire His consolation, but few desire His tribulation. He finds many comrades in eating and drinking, but He finds few hands who will be with Him in His abstinence and fastingBut those who love Jesus purely for Himself, and not for their own profit or convenience, bless Him as heartily in temptation and tribulation and in all other adversities as they do in time of consolation. And if He never sent them consolation, they would still bless and praise Him.
I think my first impression (of Bix Beiderbecke) was the lasting one. I remember very clearly thinking, 'Where, what planet, did this guy come from? Is he from outer space?' I'd never heard anything like the way he played-not in Chicago, no place. The tone-he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures-whatever the hell he did. There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart.
He had a smug smile on his lips like he knew, even in his sleep, that women all around him were dying from love because he'd taken their hearts and hidden them where they'd never find them.
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