A Quote by Earl Weaver

I wanted no part of losing. Why play if you can't beat the other guys more often than they beat you? — © Earl Weaver
I wanted no part of losing. Why play if you can't beat the other guys more often than they beat you?
I'm a lot more sensitive about music, I think, than most other guys in this particular side of the business. Most of them are beat crazy and beat heavy. I'm more melody. I'm more musical than most of the other ones.
'In the nineteenth century, we beat the British more than once,' Afghans often told me. 'In the twentieth century, we beat the Russians. In the twenty-first, if we have to, we'll beat the Americans!'
I want to be better than five guys. I was that way when I used to box, I was that way in any sport. I want to compete with five other guys. If I beat five other guys, I'd like to see if I can beat six.
He [Jimmy Connors] has one weakness. He can never say his opponent played well. That's why it feels good to beat him and that's why other players would rather beat him than any other player.
P90X and Insanity are awesome workouts for young guys who aren't beat up. DDPYoga is for guys who are beat up. It's the fountain of youth for beat-up guys.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
The guys who beat me didn't get 1,000 rebounds. I did. It's not my fault the other guys didn't play as many games.
I don't think about losing or worry about losing. I'm not afraid to let it go and I don't care if you beat me. If you do, that means you were the better man, but only elite fighters can beat me. There can't be shame in losing because you are up against great competition and there's always that chance.
You wanted to compete against Michael Jordan, because they were the best. You wanted to beat them. Never once in my mind, I went, 'I would love to play with him.' I was always like, 'Man, we've got to beat them.'
I am acutely conscious, from vast experience in opens, that guys around, say 2100 or more can definitely play chess and that one often has to work very hard to beat them.
Those are the guys that are the scariest. The guys that can beat you in the pocket and can also beat you running around.
I learned it was crucial to play right on the edge of the beat... It makes you drive the song more. You're ahead of the beat, but you're not.
I always wanted to make a song like 'Why' even before my second album. It was just something I always had in my mind. But when I got the beat from Havoc, it was like the perfect beat, I felt... I wanted to get some questions I thought everybody... felt like 'why?' to.
In football we always said that the other team couldn't beat us. We had to be sure that we didn't beat ourselves. And that's what people have to do, too - make sure they don't beat themselves.
One of my favourite Donald Byrd tracks is 'Think Twice,' and I didn't want to sample it. I've always enjoyed when other people have sampled it, so I wanted to instead of making a beat with it or something like that, or freak the beat of whatever. I wanted to just recreate it in my own way, like how I heard it.
It's just music. It's trying to play clean and looking for the pretty notes. The beat in a bop band is with the music, against it, behind it. It pushes it. It helps it. Help is the big thing. It has no continuity of beat, no steady chug-chug. Jazz has, and that's why bop is more flexible.
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