A Quote by Eartha Kitt

The stage floor was a stage of thin ice for me to tread. To hold my own or to sink through and die, never to be remembered. — © Eartha Kitt
The stage floor was a stage of thin ice for me to tread. To hold my own or to sink through and die, never to be remembered.
I fell through a stage once. I was doing a truly African dance, and all of a sudden, I hit the ground with my foot and went straight through the stage. I guess they didn't have much money, so the floor was kind of rotting.
My hold on the past and the future is precarious and my possession of my own time is always postponed until a stage when I may fully understand it, yet this stage can never be reached, since it would be one more moment bounded by the horizon of its future, and requiring in its turn, further developments in order to be understood.
Each department of knowledge passes through three stages. The theoretic stage; the theological stage and the metaphysical or abstract stage.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
I've never told anyone this. But I suffer from terrible stage fright. True. You can't tell though, can you? Unbelievable, the panic. I nearly die of fear before I go on stage. Something wicked. I can't eat a thing the day before a gig. It'd make me vomit.
In 2006, when doing a live stage show in Ireland, I tried for the first time to instantly induct a subject on stage, something I had never done before, nor did I know if it would ever work. The result almost cost me my career; the man I grabbed and instantly inducted went out cold and fell to the floor.
A couple of months ago I hauled my white ass on stage alongside Chaka Khan and Stevie Wonder for Divas Las Vegas, singing in front of a celebrity audience. If I can hold my own there, I can hold my own at Top of the Pops, trust me.
Living in the modern age, death for virtue is the wage. So it seems in darker hours. Evil wins, kindness cowers. Ruled by violence and vice we all stand upon thin ice. Are we brave or are we mice, here upon such thin, thin ice? Dare we linger, dare we skate? Dare we laugh or celebrate, knowing we may strain the ice? Preserve the ice at any price?
A stage set should not make a pretty picture of its own. The empty stage should look formal and pleasing, but should seem to be waiting for the action to complete it; it should not hold definite significance in itself.
That pit of blackness that lies beneath us, everywhere ... the firmest substance of human happiness is but a thin crust spread over it, with just reality enough to bear up the illusive stage-scenery amid which we tread. It needs no earthquake to open the chasm.
On stage I'm slightly nervous than when I'm in front of camera. Because when on the stage, the mind can't waiver but at the same time, the energy to be on the stage makes me feel alive.
On stage, you can bring all those strong emotions that you don't have the opportunity to live. You don't want to die for love every day, but on stage, you can.
The present is our own; but while we speak, We cease from its possession, and resign The stage we tread on, to another race, As vain, and gay, and mortal as ourselves.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it go.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
I've reached the stage of my life where learning is so important to me. I go through the past enough when I play my old songs on stage. And I don't mind doing that. But I want to think about the future.
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