A Quote by Eartha Kitt

I don't think I ever really got interested in theater. — © Eartha Kitt
I don't think I ever really got interested in theater.
Becoming interested in poetics got me interested in theater. Theater is supposed to be poetry, you know, before it's anything else. It just doesn't fly if it isn't musical.
I love the theater, and I did tons of theater before I ever did anything in front of the camera, but I haven't done anything in New York in a while, and I really, really want to. I've been offered a few things, but it's got to be something that works, because it's so disruptive to the family that it's got to be something that I cannot turn down.
I feel that if you're going to do theater, you've really got to throw yourself into the deep end. You have to commit your whole life and soul to it to make it the best it could ever be because theater can truly change people in lots of different ways. But I also think it can bore people to death, and it's quite a fine line between those two things.
I was doing community theater, and I was always interested in acting, but I was also interested in sports. I was interested in a lot of things. I was a pretty normal guy. I wasn't like a guy who grew up in a dark theater watching movies.
I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
My mother's whole family had been from the theater, really. Because I grew up in Hollywood, I wasn't that interested in Hollywood. But the New York theater was completely exotic and fabulous to me.
My happiest times in the theater are when I do ensemble pieces. I really got into theater because of that closeness.
I went to theater school but never really got the chance to do theater, and it's always been a dream of mine.
What I was interested in wasn't popular and young, but I never really deviated from doing it. I just decided that I was going to go full force into exactly what I wanted. I think there's a certain comfort that comes with age and experience, and when I got that, I think my work got better.
What interested me in film was the image-making aspect of it. So, I went to school in cinematography. I was really convinced that image was what I wanted to do, and I think it came from the fact that I lived in a small town my whole life, but my mother was very interested in painting, so she would bring us to Paris for two weeks. So, we're going to the Louvre and to the museums and to see shows. In the evening we were seeing theater. Painting is basically what led me. I think the image was key.
Well, I don't think it ever did, but in the early '60s I got interested in folk music.
I feel like there's an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we're all so freaked out about theater keeping audiences interested because everybody's so freaked out about theater becoming irrelevant.
I don't think theater is dying, and musicals are a great American art form. We've got apple pie, jazz and musical theater.
I think probably the reason why I really enjoy acting is that I really am interested in people. I'm interested in what they think, why they think it and what happened in their lives to make them see things a certain way.
I tried bull-riding... I wasn't good at all: I don't think I ever got eight seconds anywhere. But then, after that, I discovered acting through community theater.
My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.
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