A Quote by Eavan Boland

Poetry is one of the most fugitive arts: it can be assigned to memory, taken and hidden in the mind, smuggled into smoky cabin back rooms, recited there and then conveyed only by speech to another person. It is therefore the most likely to survive colonization.
My songs were influenced not so much by poetry on the page but by poetry being recited by the poets who recited poems with jazz bands.
Poetry is the most direct and simple means of expressing oneself in words: the most primitive nations have poetry, but only quitewell developed civilizations can produce good prose. So don't think of poetry as a perverse and unnatural way of distorting ordinary prose statements: prose is a much less natural way of speaking than poetry is. If you listen to small children, and to the amount of chanting and singsong in their speech, you'll see what I mean.
Of one thing alone I am very sure: it is a law of our nature that the memory of longing should survive the more fugitive memory of fulfillment.
I feel certain that the largest part of all photographs ever taken or being taken or ever to be taken, is and will continue to be, portraits. This is not only true, it is also necessary. We are not solitary mammals, like the elephant, the whale and the ape. What is most profoundly felt between us, even if hidden, will reappear in our portraits of one another.
Only hidden and undetected oratory is really insidious. What reaches the heart without going through the mind is likely to bounce back and put the mind out of business.
I go to the gym, do some martial arts, and I love poetry. I have a tattoo of my family crest, and another on my back that says 'The Road Not Taken,' which is a poem by Robert Frost.
The best protection against propaganda of any sort is the recognition of it for what it is. Only hidden and undetected oratory is really insidious. What reaches the heart without going through the mind is likely to bounce back and put the mind out of business. Propaganda taken in that way is like a drug you do not know you are swallowing. The effect is mysterious; you do not know afterwards why you feel or think the way you do.
The original insight is most likely to come when elements stored in different compartments of the mind drift into the open, jostle one another, and now and then form new combinations.
Indeed there can be no more useful help for discovering what poetry belongs to the class of the truly excellent, and can therefore do us most good, than to have always in one's mind lines and expressions of the great masters, and to apply them as a touchstone to other poetry.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
I think the Native Americans had the right idea about preserving and respecting the earth. Not just using it up. We are not the center of the universe and that we think we are will most likely be the end of us. Then nature will go on its way, with humans only being a faint ugly memory. And yes I am fond of animals or most of them.
The most likely victim of actual religious discrimination in British society is a Muslim, but the person who is most likely to feel slighted because of their religion is an evangelical Christian.
The most likely victim of actual religious discrimination in British society is a Muslim but the person who is most likely to feel slighted because of their religion is an evangelical Christian.
Good religious poetry... is likely to be most justly appreciated and most discriminately relished by the undevout.
I'm saying that the domain of poetry includes both oral & written forms, that poetry goes back to a pre-literate situation & would survive a post-literate situation, that human speech is a near-endless source of poetic forms, that there has always been more oral than written poetry, & that we can no longer pretend to a knowledge of poetry if we deny its oral dimension.
The intellectual's ... playfulness, in its various manifestations, is likely to seem to most men a perverse luxury; in the United States the play of the mind is perhaps the only form of play that is not looked upon with the most tender indulgence. His piety is likely to seem nettlesome, if not actually dangerous. And neither quality is considered to contribute very much to the practical business of life.
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