A Quote by Eavan Boland
I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadows of the national upheaval and the intense effort - the intense self-conscious effort - to make a literary movement were still evident. Now we lived a life as writers that was more cosmopolitan, more open, that had more travel and exchange.
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What is difficult to understand is that without conscious effort, nothing is possible. Conscious effort is related to higher nature. My lower nature alone cannot lead me to consciousness. It is blind. But when I wake up and I feel that I belong to a higher world, this is only part of conscious effort. I become truly conscious only when I open to all my possibilities, higher and lower. There is value only in conscious effort.
If only I had more money is the easiest way to postpone the intense self-examination and decision-making necessary to create a life of enjoyment - now and not later.
I had often thought that if I managed to live through the war I wouldn't expect too much of life. How could one resent disappointment in love if life itself was continuously in doubt? Since Belgorod, terror had overturned all my preconceptions, and the pace of life had been so intense one no longer knew what elements of ordinary life to abandon in order to maintain some semblance of balance. I was still unresigned to the idea of death, but I had already sworn to myself during moments of intense fear that I would exchange anything - fortune, love, even a limb - if I could simply survive.
We all operate in two contrasting modes, which might be called open and closed. The open mode is more relaxed, more receptive, more exploratory, more democratic, more playful and more humorous. The closed mode is the tighter, more rigid, more hierarchical, more tunnel-visioned. Most people, unfortunately spend most of their time in the closed mode.
Going into the second arc, I'm making a conscious effort to do something I say I never do, which is to change my style because of feedback. I'm trying to make 'Pretty Deadly' more accessible by being more clear in the writing.
Once I started writing all the time and interacting with poets, I made a conscious decision to identify myself as a poet. It's funny how much a single word can provide focus and direction. As soon as I claimed that identity, I started clearing more and more space for poetry in my life and applying poetic tools to other areas of my life. The world became a different place, and I witnessed it through different kinds of eyes.
The more effort we make to appreciate and perceive reality, the larger and more accurate our maps will be. But many do not want to make this effort.
Philosophy is a more intense sort of experience than common life is, just as pure and subtle music, heard in retirement, is something keener and more intense than the howling of storms or the rumble of cities.
There needs to be more deliberate effort on the part of folks at VC firms to bring in a more diverse team of talent. You have to make a more concerted effort to bring in people who are different and who may not be in your network.
I actually started meditating more when I moved to New York, which has helped me a lot. The energy is so much more magnified and intense here. In Sweden, there are forests and lakes nearby and you can chill. But here, I had to actively meditate to stay sane.
But the effort, the effort! And as the marrow is eaten out of a man's bones and the soul out of his belly, contending with the strange rapacity of savage life, the lower stage of creation, he cannot make the effort any more.
Honestly, the Carolina games I played in every year were more intense than the national championship games I played in - they had a better environment.
I came into science fiction at a very good time, when the doors were getting thrown open to all kinds of more experimental writing, more literary writing, riskier writing. It wasn't all imitation Heinlein or Asimov. And of course, women were creeping in, infiltrating. Infesting the premises.
For years my life alternated between depression and acute anxiety. One night I woke up in a state of dread and intense fear, more intense than I had ever experienced before. Life seemed meaningless, barren, hostile. It became so unbearable that suddenly the thought came into my mind, I cannot live with myself any longer.
I began to write in an enclosed, self-confident literary culture. The poet's life stood in a burnished light in the Ireland of that time. Poets were still poor, had little sponsored work, and could not depend on a sympathetic reaction to their poetry. But the idea of the poet was honored.
The character of the Open Conspiracy [the movement towards a world collective] will now be plainly displayed. It will have become a great world movement as widespread and evident as socialism or communism. It will largely have taken the place of these movements. It will be more, it will be a world religion.
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