A Quote by Eavan Boland
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
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Food is also about pleasure, about community, about family and spirituality, about our relationship to the natural world, and about expressing our identity. As long as humans have been taking meals together, eating has been as much about culture as it has been about biology.
When the desire is born, right away you start counting yourselves a failure, because you've got this desire that hasn't been satisfied. Know that you never get it done! And since you never get it done, it's time to stop being unhappy about what's undone, because most of it is undone! You are an eternal being. Most of it is undone. Instead of taking score about what's been achieved - we want you to start feeling anticipation about what is still to arrive.
If you look at our world, we're becoming so much more diverse in every sense of the word. It's not just about culture or identity. It's also about the different ways we communicate.
My conception around being a woman in 2016 has definitely been shifting over the past year, because I feel like I'm proud of womanhood, and I feel attached to it, and at the same time I'm someone who doesn't believe in having a gender binary, and so often times I separate those two concepts in my mind - the concept of being a woman and the concept of being a girl or being female, being kind of attached to a certain gender identity.
The workplace needs the poet's gift. But the poet also needs to be educated about the workplace. You're not just coming in to do your art, you're actually making yourself vulnerable. You yourself are not God's gift to truth. You have to hazard yourself in their world, especially because you're inviting people to do the same. It's all about become visible, becoming incarnate, becoming here and now and yet with our eyes on a future horizon; holding the conversation you were meant to hold.
You're thinking about a dish, you're thinking about an ingredient, and in many ways, you end up becoming a naked chef in front of the customer, because what you put on the plate is you. It's who you are and where you've been.
It's not about finding ways to avoid God's judgment and feeling like a failure if you don't do everything perfectly. It's about fully experiencing God's love and letting it perfect you. It's not about being somebody you are not. It's about becoming who you really are.
As vocal as some people have been about how emotionally attached they've been to celluloid, I've been equally emotional in my stance that nothing is more valuable than this. Than being able to see the result of your work quickly.
What does it mean to be an American today? The question of that is always pointing at now. It allows someone to say what lens that will be through. A lot of my work has been about identity in different ways. Part of that for me falls into the question of gender identity certainly but also about what it means to be an American theater artist.
That, to me, is what I feel like is the future. If I have a daughter, if you have a daughter, becoming that ideal where it's not about your gender; it's about us being human, being in this together.
It is very hard to say the exact truth, even about your own immediate feelings – much harder than to say something fine about them which is not the exact truth.
My sense of the poet is classical - the poet is one who makes poems. In each book, I develop and repeat certain general themes - time, place, memory, God, history, class, race, beauty, love, poetry, identity. The core identity is the poet making the poems.
I've never thought of myself in terms of an identity. I'm always baffled when I encounter someone who gives the impression about being confident about a particular defined identity.
I've been doing my job for a long time and I never really thought about being an actress or being anything like that. I was always a bit scared as well because of the thing about models becoming an actress and all that. I just never really took it seriously.
Games I do find interesting for what they say about us, about what we wish for, about the programming. But let it stop there: don't listen to this rubbish about them actually being good for you, helping with hand-eye co-ordination or whatever. They're games. They prepare you for nothing.
When I get really passionate about something, the audition process is really strenuous and hard on me because I feel so much for the project, and I become so attached to it. It's hard. It's stressful because you want it so badly, and you're crafting this character that you're falling in love with.
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