A Quote by Ebon Moss-Bachrach

As an actor, you have to give up all control to the director. He's the boss, and has all the power. I'm a control freak, so that's really hard for me. — © Ebon Moss-Bachrach
As an actor, you have to give up all control to the director. He's the boss, and has all the power. I'm a control freak, so that's really hard for me.
As an actor, you have to give up all control to the director. He's the boss and has all the power. I'm a control freak, so that's really hard for me. Then when you see a film later, it can be infuriating, really disappointing. I've been very lucky, though, and so many of my early experiences were great.
As an actor you don't control the end result. Because you're a director, you get to control the end result. I think for us, we really have to show up and participate and give. And then let go.
I'm not a control freak in that like I boss everybody around, but like a control freak and like, I like knowing exactly what I get to do that day and having a say.
An actor who's a control freak, that doesn't work. We have to be malleable. We cannot come in and try to control or dominate.
When we give of ourselves, our time, and our money, we're also giving up control. As a control freak myself, I know that sounds scary, but I've learned that the momentary lack of control forces me to look at what I do have and truly count my blessings. I have clean drinking water. I have food on my table. I have a roof over my head and clothes on my back. Suddenly, my panic-stricken mindset is replaced with gratitude.
I like to control everything, and you cannot control everything. You have to at some point say, 'I let go and I'm going to let the cards fall where they fall... For a control freak, it's hard.
When it's time to make music, that's about getting lost for me. To be a control freak is not half as good as being a freak who's casually in control. You're feeling around in the dark for something that feels good.
I'm just used to having so much control in music and in acting you have to give that up a bit. Sure, our voices are heard on set, but at the end of the day you can lose an argument. Whereas in music, if I feel the second verse needs to be changed I can change it. I find it really hard as an artist to give up some of that control.
It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.
Drugs make me nervous, really, because I'm a control freak and I don't like to be out of control on drugs.
I like owning my own narrative. It depends: I either give it all up, or I don't have any control. It's really hard to go halfway. Like with modeling, for example, I kind of give up all creative control, and that's just that. But when it comes to my own personal art, I'm very O.C.D. I see something a very certain way.
That's why I love music - because I'm such a control freak, and it's the only thing that I can't really control.
I like directing myself; I feel like it's one less person to give notes to. There's an efficiency in it. I'm also kind of a control freak. So I like the fact that it gives me more control in the overall picture.
The spiritual in my art is giving up control. My paintings are based on what I can do, and what I can do is not controlled. So I give up control, and that's the spiritual aspect of the work - taking what comes and relinquishing control. Although they look very controlled, they're really not, because it's all poured paint.
Festivals are the best because you can't control anything, and for a control freak like me, that's a wonderful experience.
I'm a control freak, so that's why I became a director.
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