A Quote by Eckhart Tolle
We can't escape from the world anymore; we can't escape from the mind. We need to enter surrender while we are in the world. That seems to be the path that is effective in the world that we live in now.
Related Quotes
There is not a place to which the Christian can withdraw from the world, whether it be outwardly or in the sphere of the inner life. Any attempt to escape from the world must sooner or later be paid for with a sinful surrender to the world.
Additionally, Liesl and Po is the embodiment of what writing has always been for me at its purest and most basic--not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying. (From the "Author's Note" at the end).
The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.
The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.'
A reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
I looked at basketball as something that I love and escape from the real world, and in order to continue to escape the real world, you got to work hard at it.
With all the negativity going on in the world right now, people need an escape. When you give them a hit record or a great record, it allows them to escape for at least three to four minutes. They're not thinking bills or economy or immigration or war when you create that kind of ambiance.
I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form.
To escape from the world means that one's mind is not concerned with the opinions of the world.
To live on a day-to-day basis is insufficient; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see over-all patterns in our lives. We need hope, the sense of a future; the freedom to get beyond ourselves...in states of mind that allow us to rise above our immediate surroundings and see the beauty and value of the world we live in.
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
When we're deluded there's a world to escape. When we're aware, there's nothing to escape.
The free world has need that its foreign policies should fairly measure the realities of the world in which we live. There are certain principles to which we hold: the sanctity of treaties, good faith between nations, the interdependence of peoples from which no country, however powerful, can altogether escape.
Different ages have certain approaches, which may be more effective for one age and no longer effective in another age. The world that we live in now has much greater density to it; it is much more all-pervasive. And when I say "world," I include the human mind in it. The human mind has grown even since the time of the Buddha, 2,500 years ago. The human mind is more noisy and more all-pervasive, and the egos are bigger.
Novels are the means by which we can escape the moment we are imprisoned in, but at the same time, the roots of a novel are in the world in which it is written. We write, and we read, to understand the world we live in.
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