A Quote by Eckhart Tolle
The power of movies lies in the fact that it enables the viewer to enter the reality, to some extent, of the characters.
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When you enter deeply into this moment, you see the nature of reality, and this insight liberates you from suffering and confusion. Peace is already there to some extent: the problem is whether we know how to touch it.
Technology is not an image of the world but a way of operating on reality. The nihilism of technology lies not only in the fact that it is the most perfect expression of the will to power... but also in the fact that it lacks meaning.
Lies 1: There is only the present and nothing to remember. Lies 2: Time is a straight line. Lies 3: The difference between the past and the futures is that one has happened while the other has not. Lies 4: We can only be in one place at a time. Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...) Lies 6: Reality as something which can be agreed upon. Lies 7: Reality is truth.
In fact he enables us not by making us supernaturally strong, but by opening our eyes. The Holy Spirit is that power which opens eyes that are closed, hearts that are unaware and minds that shrink from too much reality.
Man can never stand still. He must find solutions to this contradiction, and ever better solutions to the extent to which reality enables him.
I think art, especially literature, has the particular power to immerse the viewer or reader into another world. This is especially powerful in literature, when a reader lives the experience of the characters. So if the characters are human and real enough, then readers will feel empathy for them.
Reality in movies is the reality of the story you're telling, so it may not match the reality as we know it, but the reason there's art is that it tries to bring some kind of understanding of all the suffering and joys and pain that we go through. Storytelling brings some value to it.
One of the nice things about books as opposed to television and movies to some extent is it's not a passive entertainment. People really do get involved, and they do create, and they do have their own visions of what different characters look like and what should happen. It's great - it means their brains are working.
Temperament lies behind mood; behind will, lies the fate of character. Then behind both, the influence of family the tyranny of culture; and finally the power of climate and environment; and we are free, only to the extent we rise above these.
Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
To make a division of power effectual, a veto in one form or another is indispensable. The right of each to judge for itself of the extent of the power allotted to its share, and to protect itself in its exercise, is what, in reality, is meant by a division of power.
The thought of the novelist lies not in the remarks of his characters or even in their introspection but in the plight he has invented for his characters - in the juxtaposition of those characters and in the lifelike ramifications of the ensemble they make: their density, their substantiality, their lived existence actualized in all its nuanced particulars, is in fact his thought metabolized.
I love the fact that we can't explain coincidences. I think it's like sometimes you walk into a crowded room and you'll see a stranger and you feel as if you know her better than the friends that you came with. And the very fact that you can't explain it is what gives it its power, that it lies in some deeper or mysterious realm, I think.
Fact-checking is a terrible way to report on Donald Trump's lying . It's like we enter into a dialogue with him. It's as though, he says "A," and we check "A," and it gives it no context. Saying that he's "misstating" is an even worse way of covering it. That's NPR's ridiculous policy of not calling his lies "lies." It's really destructive.
Personal power is the ability to enter into different planes of reality.
I think that in some ways 'Climax' is easier to digest than my other movies because the characters are easier to identify with. You love them because they're young, they're great dancers, they're beautiful, and they are willing to construct something. They're not losers like most of the characters of my previous movies.
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