A Quote by Eckhart Tolle
Even if they don't know it consciously, people can feel when you are making them into a means to an end only. And people are much less likely to do what you want them to do - for example, to buy the car - when they feel you are reducing them into a means to an end.
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I may not know the weight of those things, but I could feel the weight of that one, so I kept it to myself. You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you. I suppose it's why you feel so far away from everyone, in the end; anything you can think of to tell them just ends up making them feel terrible.
Our business has changed so much. Do people even want albums, or do they just buy singles now? You sort of feel like you're the last guy manufacturing VCRs... but I really like albums, and so I like doing them. I'll be the last one making them, even when no one's buying them.
If you were to force people to do something against their free choice, you would be dehumanizing them. The option of forcing everyone to go to heaven is immoral, because it's dehumanizing; it strips them of the dignity of making their own decision; it denies them their freedom of choice; and it treats them as a means to an end. When God allows people to say 'no' to him, he actually respects and dignifies them.
Taking the decision-making process away from people disempowers them. It also makes them much less likely to buy into the decision, however right it may be. One’s own conscience remains the ultimate arbiter.
I think love means a warm feeling about a human or a condition, where you feel emotional, and you feel like you want to be around them or it. You want to take care of it or them, the person, and be with them.
At the end of the day, what people want from me is to get up there on that stage and make them feel powerful and give them a release for an hour and a half or two hours every once in a while. And if I'm still able to do that, hopefully I'm still making people happy.
When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.
Loneliness is a hard thing to handle. I feel it, sometimes. When I do, I want it to end. Sometimes, when you're near someone, when you touch them on some level that is deeper than the uselessly structured formality of casual civilized interaction, there's a sense of satisfaction in it. Or at least, there is for me. It doesn't have to be someone particularly nice. You don't have to like them. You don't even have to want to work with them. You might even want to punch them in the nose. Sometimes just making that connection is its own experience, its own reward.
This objective of getting what we want from other people-or getting them to do what we want them to do-threatens the autonomy of people, their right to choose what they want to do. And whenever people feel that they're not free to choose what they want to do, they are likely to resist, even if they see the purpose in what we are asking and would ordinarily want to do it.
I feel that one of the roles of the artist, in the way I define it, is that I need to be not just someone observing these tiny pockets of people on the planet who have devoted their lives to preserving whatever it is they're passionate about. I want to be them. I am one of them. I just have a different outlet and final outcome as an artist than many of them would. For them, the process can just end in holding on to it, just knowing they've got it tucked away in their private collection. I value that so much, but I feel the conversation dies in a way there.
Well, you can do whatever you want, but just don’t call it inequality. Put the word poverty there. Because we have many rich people on our board, and when they see the word poverty that makes them feel good, because [it means] they’re really nice people who care about the poor. When they see the word inequality it makes them upset, because [it means] you want to take money from them.
It means a lot that fans feel connected to us and care about us, and that means the world, because that's what we want. We don't want them to feel like we're unattainable because we're just like them. We're all normal kids but somehow we got lucky when we picked up a guitar.
I say to people who care for people who are dying, if you really love that person and want to help them, be with them when their end comes close. Sit with them - you don't even have to talk. You don't have to do anything but really be there with them.
What it means to be human is to bring up your children in safety, educate them, keep them healthy, teach them how to care for themselves and others, allow them to develop in their own way among adults who are sane and responsibile, who know the value of the world and not its economic potential. It means art, it means time, it means all the invisibles never counted by the GDP and the census figures. It means knowing that life has an inside as well as an outside. And I think it means love.
So few people vote these days, and I think it's partly because they don't feel like the institution really means anything to them. If you want them to vote, give them opportunities to do something else other than vote, to help.
I want people to feel inspired. I want people to feel good. I want people to feel something. I want people to strive for what they want in their life, and I want them to heal from anything that's hurting them.
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