A Quote by Ed Asner

If you can't get an acting job, then go backstage. Or take tickets. — © Ed Asner
If you can't get an acting job, then go backstage. Or take tickets.
Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
If you don't have the good fortune to work a lot then you take any job you get offered, whether it's a good job, fun job, a bad job, horrible job, whatever, you just take what you need to take. But I'm lucky in that - at the moment anyway and hopefully forever, but who knows - I get the chance to pick jobs for the kick of it and the fun.
I'd also take any acting job...well, not any acting job, that's not true. I'd take a cool acting job.
Everyone is told to go to high school and get good grades and go to college and get good grades and then get a job and then get a better job. There's no one really telling a story about how they totally blew it, and they figured it out.
I studied acting in school and then of course couldn't get an acting job.
I studied acting in school and then, of course, couldn't get an acting job.
We think that life is about get the girl, get the guy, get the car, get the job, get the house, get the kids, get the better job, get the better car, get the better house, get the promotion, get the office in the corner, get the kids on their way, get the grandkids, get the retirement watch, get the cruise tickets, get the illness, and get the heck out. That's it. That's a good life. But life has nothing to do with any of that. That is not our purpose in living. That is not the Agenda of the Soul.
I had a teacher who said something great. That was, 'Go out and collect your nos. Once you get fifty nos then you can start wondering when you can get a yes.' He said, 'It is not your job to get the job; its your job to do a consistent body of work. So, every time you go in there, just go in there and be consistent, and eventually it will get noticed and someone will hire you.'
They'd have to force me to take the All-Star Game. They take over the building, your season-ticket holders have to be in a lottery to see if they get tickets, and then they don't get a good ticket. Really, no good can come out of it, and all it can do is upset your fans.
I've had times in the past where I wanted to give up acting, get my head out of the arts because it was like my constitution couldn't deal with it. My job means I get judged on my looks; I get discriminated against because of my sex; I take on roles that are so two-dimensional... you can go mad trying to fill that third dimension.
I was in New York, I went to a Yankees game and I called and said, 'Can I get tickets to the Knicks game?' They said, 'We can't get you tickets no more to the Knicks game.'... They had tickets, but they said they didn't have no tickets for me.
I had a brief theater background and loved the backstage world there's more backstage work in television, so I saw a job advertised and applied, and got it. That was back in 1977, when getting jobs was easy.
I have been doing this [acting] for a really long time, so I've come to expect things to take a really long time. You get to a place where you do your job and then you dust your hands off and say, "Okay, my job is done. Now, it's in the stars. We'll see what happens." There's nothing I can do to affect it.
I started acting when I was 13, so acting has been, with great fortune, my job since I could get a job.
Acting is great. It's so much fun. It's a job where you literally get to do something that's a great experience, and then you try a new experience, and you take things from all of it.
I'd been an actor my whole life, since I was a kid. And then, I quit for awhile and went to university. When I wanted to start acting again, I couldn't get a job, and that was really depressing. So, I realized, at that time, that I have to take responsibility for my own creativity.
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