A Quote by Ed Begley, Jr.

To be a modern person in 2012, you are often required to have some electronics in your life. And I do. I try to put that phone down, put the computer away, and get out there and hike in the woods; feel it in my feet, feel it in my hands; get out in the garden and feel the soil under my fingers, my fingertips and my fingernails. I try to be involved in nature in a very tactile way. I think that's important.
For this the Gospel offers us a serene way forward: using the three languages of the mind, heart and hands - and to use them in harmony. What you think, you must feel and put into effect. Your information comes down to your heart and you put it into practice. Harmoniously. What you think, you feel, and you do. Feel what you think and feel what you do. Do what you think and what you feel. The three languagesTo think. To feel. To do. And all in harmony.
Put down your cell phones, put everything away, and feel your blood pulsing in you, feel your creative impulse, feel your own spirit, your heart, your mind. Feel the joy of being alive and free.
I don’t use an exposure meter. My personal advice is: Spend the money you would put into such an instrument for film. Buy yards of film, miles of it. Buy all the film you can get your hands on. And then experiment with it.That is the only way to be successful in photography. Test, try, experiment, feel your way along. It is the experience, not technique, which counts in camera work first of all. If you get the feel of photography, you can take fifteen pictures while one of your opponents is trying out his exposure meter.
I try to stay level-headed and it's always the way I've been. Sometimes your personality out in the real world, you want to take that into your sport because that's where you feel comfortable. You never want to try to do something that's not you or you don't feel comfortable doing. That's where you get in trouble. It's the only way I've played sports and done things. I'm low-key, but I'm very competitive and hate to lose.
You just try and do as much variation and as much difference and as much as possible, so you put yourself out there to try anything, really. As long as you feel you're going to get something out of the experience, it's all worth it.
Learn to draw. Try to make your hand so unconsciously adept that it will put down what you feel without your having to think of your hands. Then you can think of the thing before you.
Whether it's your personal life or career, people feel they have carte blanche to everything that goes on in your life. I don't agree with that, but I do feel I have to share my thoughts on those things with people instead of totally avoiding it. I want to put it out there the way I want to put it out there.
You always feel very vulnerable when you put your work out there. You feel a kind of nakedness. And you expose something of the inner workings of the way you experience life.
What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.
We feel we have to put concrete on every inch of land. It disturbs the ecology, and it takes away the experience of a child going out into the woods and seeing all of nature.
Life isn’t fair." I said. "It’s taken me a while to get that. It’s always going to disappoint you in some way or another. You’ll make plans, and it’ll push you in another direction. You will love people, and they’ll be taken away no matter how hard you fight to keep them. You’ll try for something and won’t get it. You don’t have to find meaning in it; you don’t have to try to change things. You just have to accept the things that are out of your hands and try to take care of yourself. That’s your job.
I like to relax and lie in the water. It is the way I calm myself down. But every time I walk past my bathroom, I go in and I put on some perfume. I use different perfumes for different moods. If I feel that I need to calm down, I put on certain fragrances that are more sensual. If I feel that I need to energize, I put on something else. Fragrance for me is so important.
I am very fortunate to be doing something I completely love, so it is certainly not hard to get motivated. Watching people sing along and put their hands in the air is a very powerful thing. I'm 63, but I don't feel it. I feel like I'm in my 40s. I enjoy life.
My fingers traced the melody on an invisible keyboard—my usual way to connect with the music, to feel its emotions on my fingertips. I touched the keys softly, as if gliding my hands through water, but the musical notes kept slipping between my fingers like bubbles, waltzing away in the blue radiance.
I'm so supported, and I'm so privileged. So many women today are single parents; I don't feel different. I think you get out of life what you put into it... and Bluebell was a beautiful accident. I feel blessed to have her. I'm learning every day as a mother.
Self-trust is so important. When you launch on a story, make your neck loose, feel free, good-natured. And be lazy. Feel that you are going to throw it away. Try writing utterly unplanned stories and see what comes out.
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