A Quote by Ed Bradley

The only thing I'd ever done with news was to read copy sitting at the microphone in the studio. — © Ed Bradley
The only thing I'd ever done with news was to read copy sitting at the microphone in the studio.
We buy a copy of 'Gravity's Rainbow,' say, and we carry our copy home. We open it; we fall into it. And it is here that the word 'copy' fails. Because what I experience when I read 'Gravity's Rainbow,' or 'Beloved,' or 'The Moviegoer,' is not at all a 'copy' of what you experience when you read the same novel.
All the elements in an advertisement are primarily designed to do one thing and one thing only: get you to read the first sentence of the copy.
I've never done a big studio film, I've only ever done little ones.
You shouldn't really have to use EQ in the studio if the instruments sound good. It should all be done with microphones and microphone placement.
[Trey Parker and Matt Stone]called me one Saturday morning and said, "Can you do an impression of Conan O'Brien?" And I said, "I don't know." Because that was really... He hadn't been on the air that long, and to be honest, I hadn't watched much of him at that point. So I went to Santa Monica to their studio and said, "Well, what does he sound like?" They said, "Well, just try it one time. Read the copy." And I read the copy one time, and they went, "Okay, that's fine. Thanks a lot, that'll do. That's perfect."
News is what a chap who doesn't care much about anything wants to read. And it's only news until he's read it. After that it's dead.
When I was having my hair and make-up done backstage at a fashion show, I would sneak in a copy of Dostoevsky and read it inside a copy of Elle or Vogue. But it would be pretentious of me to say I was more intelligent than the other supermodels.
I can be at my house sitting there making music alone, and every single time I've ever done that the first thing I do when I'm done, no matter if it's 4 in the morning... I literally just pick up my phone and I call someone.
As a Fox News Channel contributor, I've learned most of the tips over the years: look into the camera like it's a good friend; pull your suit jacket down and sit on it so it doesn't bunch up; and most importantly, never, ever say anything while sitting in that studio that you wouldn't want someone else to hear.
When I grab the microphone, I am the greatest rapper, musician, and artist that ever lived, ever, in the entire universe - but when I put that microphone down, I am a man with so much to learn, personally and professionally.
When I'm sitting in the studio, a mix isn't done till I feel it in my gut.
My dad was a voracious news consumer. I remember just sitting with my family all the time. I would sit on his lap and read the paper with him. He would read it to me.
Start copying what you love. Copy copy copy copy. At the end of the copy you will find your self.
I have no philosophy, my favourite thing is sitting in the studio.
Being on TV in front of people is a lot different than sitting in a dark room with a microphone. When I had my radio show, I was on four hours a day for 20-something years. If you put a live microphone in front of Mother Teresa for that amount of time, she'd piss somebody off.
I was at CBS News on a fluke. I replaced somebody who was on vacation. I worked as a copy boy, then became a news writer.
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