A Quote by Ed Droste

I do enjoy talking about how everything's changed and I'm fascinated by it, and I can spend my time worrying, like, "Are we going to appeal to teens?" But then, if I were to try to make a record for teens, I'd be doing exactly what I said I didn't want to do. That'd be posturing. And I'm watching other people trying to do that, and they all look stupid. But for some of them, it's working, so cash in.
Traditionally parents have wondered what their teens were doing, but now teens are much more likely to be doing things that can get them killed.
Other people have suggested that I write about teens because I'm perpetually stuck in that stage of my own development. That could very well be true. I would throw out that teens and tweens are just absolutely fabulous and the most interesting people on the planet. And it is a time of high drama, and everything matters.
The thing that I find interesting about teens now is that no matter how desperate we seem to be taxonomically 'othering' them, for one reason or another - because the Internet, because whatever - I feel like a lot of the benchmarks and the experiences are, you know, same for teens through time immemorial.
One of the things that I really like about young adult fiction is that you can explore the relationships between teens and their parents. I definitely think that teens are a product of their parents. You either end up just like them or you consciously make the decision to be unlike them.
Everything that happens to me gets put into a song. For some reason, I'm really comfortable talking about my personal life in songs. There, I don't hold back: names, dates, times, expressions on people's faces, exactly where we were and how it felt, what I wish I would have said to them in the moment. So I'm not only excited about sharing the songs with fans; I'm also pretty interested to hear the response from the guys I've written about on the record.
Some people spend their days talking about how cool they areothers spend them doing things that make them cool
Boxing is what you make it. If you want to make it exciting, if you want to make it something where people are going to look and say, "Wow! Look at the guy. Who does he think he is?" You can do that. If you just want to go in there, punch each other, and then shake hands at the end of the night. You can do that, too. I know what I would rather pay money to see. Some people enjoy it, some despise it. Whether people like it or hate it, they still buy a ticket. We want boxing to be centre stage and you can't have that with guys who don't excite.
Reading is always a way of forming a bond with other people. I'm not very good at socializing - I quite like spending time alone - so reading is a way of engaging quite deeply with the way other people think. Quite often when you meet other people socially you don't get to have a conversation of any depth. You end up talking about how well or how badly someone is doing at school or something of that sort. Questions like, "What we are," "Who we are," "Where are we going," you get those from literature and from people that spend some time thinking.
The unusual thing about doing street poster art - or something with a conscious social critique in it - is that the artist thinks they're a little in control, focusing and trying to make a specific point. But even then, when you look at it a few years later, you realize you were just working through some of the usual feelings you were going through during that time.
We drank quite a lot and Tony Harrington said, "We're thinking of starting a record label at The Wire; how about you do a solo record?" I said, "Well, how am I going to do that?" I thought about it, and I'd been working on a lot of music in the years before, and I was working as a journalist, full time, really, up until that point; in whatever little spare time I had, I was working on music. So I said yes.
In your late teens and early twenties, everything is idealism. Everything should just work in black and white. That's good. You need that. I think most revolutions are started by people in their teens and twenties.
The whole thing about bullying is: yes, the culture has to change. Yes, teens have the power to change it. It’s not going to happen overnight, but this is definitely something that I want to start motivating teens to do today." - Publisher Weekly
There are some people who are way too sensitive about things. If you're not using the vocabulary that's new that they've helped define, then you're not on their team, even though you want to be. And at the same time, the fact that our president Donald Trump said on record, "You could just grab women by the pussy," and a lot of people in America were like, "Yeah, it's fine, that's something that's said..." There are people that are not sensitive or aware enough about other people and what that means.
I am proud and embarrassed by how incredibly self-confident I was in my late teens and early 20s. I know that there were other things going on, too, but I had an overwhelming belief in myself. Like I said, I'm embarrassed by it and proud of it.
I spent so much of my time when I was growing up just worrying about what people thought of me, about my appearance, how I should act in school, how to... be popular and all that rubbish. Stop worrying about everything. Everything's going to be okay.
The time is a thing; you don't have so much time. A good trick is to try and think about a way to use material from one occupation for the other. It's like going through working a day job, this is so dumb to say, but you know how Julian Schnabel made those crockery paintings while he was working as a short-order cook? It's like that, using what is around, transforming that to create meaning and make art. Trying to take nothing and make... something.
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