A Quote by Ed Droste

It is definitely much easier to feel that an album is disposable - to dismiss an album or delete the tracks you don't like or to just throw it into shuffle or whatever. — © Ed Droste
It is definitely much easier to feel that an album is disposable - to dismiss an album or delete the tracks you don't like or to just throw it into shuffle or whatever.
There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
This 'Making Mirrors' album is far more personal, even if there's a character element to the sounds I'm working with. Every song on this album I stand behind; I feel like I have a close relationship with them. There are older songs where I can feel myself writing a story, so this is the first album where I'm proud of every lyric.'
I got a chance to have my dream come true, and I wanted to make sure I made the decision as to when I dropped my last album. If I don't feel like this album is an incredible piece of work, then I'm cool with the albums I've done. I don't have to put out another album.
The first album I was given when I was quite young was the 'Whoa, Nelly!' album by Nelly Furtado. After, I also got the 'Missundaztood' album by Pink. That's when I was like, 'Oh my God, I want to be just like them!'
The album is always definitely the goal, because I think that albums are like captures and bookmarks. After five or six of them, you can always go back and be like, 'Well, what was his first?'... I think an album really gives you a chance to make people feel something.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I'm listening to a lot of Drake, and a lot of Frank Sinatra just because it's his centennial also. I'm going to be doing some tributes to him this year. I love that Beck album. It was funny to me because my two favorite albums of the year were definitely the Beyonce album and the Beck album.
I feel like every album we make, that's our debut album.
There were a lot of songs that I still wanted to put on the album but it worked out. I can only fit 18 [tracks] on the album, I would put 30 if I could.
I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.
'Apricot Princess' is like an inside album. You can listen to the album and feel all of those emotions within one night.
I feel like it's not a bad average for every album I've got in the United States to be nominated for something off the album.
There are really three parts to the album, and there's, like, quite a lot of hip-hop on there. I guess it is a worry that people who love 'Human' might think they're buying the album and that's a blueprint for it, but it's definitely not. Hopefully they'll be pleasantly surprised.
'Unbreakable Smile' was based off one of the songs I wrote for the album - it was actually the first song I wrote for the album without realizing it yet. I think I wanted to name the album that because it seemed like that was just the theme of that chapter in my life and just the theme of all the songs put together.
Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.
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