A Quote by Ed Droste
People digest and process music differently, and I'm sure that was the case even when I was a kid.
Related Quotes
I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.
I'm not sure I ever try to make a case for the music. I mean, sometimes the music isn't even that good. I just tell the band's stories; if I describe the music, it's to explain how it moved the overall story along.
Downloading a song for free is the easiest way to get all kinds of music. Everything else is tough and I am sure, even if people wanted to buy music, they won't be able to because they will not understand the way to buy music online. It is a very complicated process.
Women communicate differently and process information differently, which leads them to resolve conflicts differently.
Music may not make you a genius, or rich, or even a better person. But it helps train you to think differently, to process different points of view — and most important, to take pleasure in listening.
You can't leave out half the world's experience and expect to address all the problems. Women communicate differently and process information differently, which leads them to resolve conflicts differently.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
I'm doing a lot of cognitive processing. I'm gathering research. I'm processing it. I'm arranging the data. I'm sorting out the narrative. I'm designing. It's almost as if I do all the cognitive work that you then don't have to do. I digest it, process it, and then offer something that's very easy for you to digest.
I personally believe that there's going to be a good case for the government preserving some type of guarantee to make sure that people have the ability to borrow to finance a house even in a very damaging recession. I think there's going to be a good case for that.
In the music business, we all do different things, but we sit there and admire other people who can write a song differently or sing differently. It's not so competitive.
Always wear high heels. Yes, they give you power. you move differently, sit differently and even speak differently.
It's fun and super exciting to see how other people work, how other people write music, and how other people put things together. To me, it's an endless learning process, and I love doing it because everybody works so completely differently.
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
Whereas when you perform, the song is done. The music is out. People know it already. You can interpret it differently, the band can perform it differently, so I like the freedom of performing.
Consumer wants can have bizarre, frivolous, or even immoral origins, and an admirable case can still be made for a society that seeks to satisfy them. But the case cannot stand if it is the process of satisfying wants that create the wants.
I am definitely less and less interested in music made by people that exist today, people that are living. I just see them as part of the whole stupid process of the music business, desperate (even if they feign indifference) to get noticed, trying to "make it" in the stinking music business, to become "famous" etc, and it disgusts me.
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