A Quote by Ed Droste

I think there is a fascination with choral music in general. — © Ed Droste
I think there is a fascination with choral music in general.
My father was working on his Ph.D. on Danish choral music - the Danish choral music of Carl Nielsen - so over there to do research.
To me singing is a joy. Choral singing is a delight. Welsh Choral singing is more than a delight. The Treorchy Male Choir is the best in choral singing. How then can they be described except in superlatives? They are without equal.
I think my fascination is less with genre figures than with writers in general.
I think people in general that don't surf, have a fascination with it. Its definitely much more than a sport or activity, its a way of life. There is a culture that surrounds it and I think people are intrigued by that.
I did a lot of choral music in high school, and that was kind of my primary, stable outlet for music because I didn't feel comfortable being a soloist. It was a cool, safe space for me musically.
I think that the pivotal point of me in terms of the choral stuff is that I was involved in this provincial choir at 16 or 17. We went and played in churches and convention centres. The music we got to do was so inspiring for me.
To hear the Treorchy Male Choir in full throat is one of the great joys of choral music.
In the earliest cultures any tie between the dancers is slight. In a higher level the choral dancers almost always touch one another and thus force themselves into the same stride and the same movement. The closer the contact, the stronger is the social character of the choral.
I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.
I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.
I think streaming, in general, is democratising music in general.
Well, I loved singing in the chorus, and there was some connection for me between gospel and choral music.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.
When the truth is that there would be no great Western music, and certainly no decent choral repertoire, without the Catholic faith.
I love music, and I once thought about doing a choral scholarship, but the people put me off.
The first choral music I remember hearing was Handel's 'Messiah' when the Mormon Tabernacle Choir broadcast it over the radio.
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