A Quote by Ed Gamble
I never started collecting figures or anything like that because I'm slightly completist with things, so if I start down a path, I'm worried where it'll end up - i.e. With a wall of something!
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During the course of the day, I write things down, things I don't do anything with. Then, when I get ready to start recording, I just look through my books and I see if I can find something that stands out. That's how I come up with the off-the-wall-kinda-strange-indirect-stuff.
When you feel that you are at the end of your path and there is a ten foot high brick wall right there in front of you, and you have nowhere to go but backwards, break down that wall and move forward. There are great and wonderful things on the other side of that wall... and, they have always been there. Let nothing divide you from what you need to do in life, and see the solutions that are right in front of you. The key is, you must break down what separates you from them and choose to find them.
My first visit to the Large Hadron Collider was in April 2008, before it started up, and CERN had some open days. They were slightly shocked by the end of it because I think they got something like 50,000 visitors.
I've always slightly worried the kids who play football around my house. They know I'm an actor, but felt sorry for me because they'd never seen anything I've done.
I never knew where I was going to end up when I started film. I didn't start film to be famous. Of course, it's a public medium, and of course we chose a public medium because we like people to pay attention to the work that we're doing. But I didn't know what I was going to end up.
I've had people say to me, "Well, how do I start collecting artworks?" Well, you start by buying. Buy what you like, buy what you can afford - and I'm not just saying that because I'm a dealer. You can't be so paralyzed to where you keep saying, "I've got to learn more." The best way to learn is to go home and actually put something on the wall. Then you've got an investment. Then you're living with it. Then you're in the game.
I'm attracted to that mix of things that are very refined and polished, and things that are almost accidental. I feel like the best things happen when you're on the path to making something, even if where you end up is not where you thought you would.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
For like four or five months of my life I was too scared to like, move around and reach out for things because I was worried that I'd my hands would run into glass, like I could reach up and if I reached up and knocked on the air it would make a noise. I couldn't look at the sky because I was worried that I see a crack.
For years and years, I convinced myself that I was unbreakable, an animal with an animal strength or something not human at all. Me, I told people, I take damage like a wall, a brick wall that never falls down, never feels anything, never flinches or remembers. I am one woman but I carry in my body all the stories I have ever been told, women I have known, women who have taken damage until they tell themselves they can feel no pain at all.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
I started doing drag in Seattle because I started doing my column before I moved here, and then moved here and wanted to be able to go out and do things as Dan Savage without being recognized the next day, because the column was just in Seattle and it was kind of a sensation and I was beating people up. I was really worried and I didn't want to beat somebody up in a column and have that person know what I look like when I didn't know what they looked like.
I would sit at the organ and just start making up things by myself - I was maybe 7 years old, which was too young to even know how to notate music. So I never wrote anything down, but when I'd make things up, I'd memorize them.
A molcajete is a stone mortar and pestle from Mexico. They're great for grinding spices and making salsa and guacamole because they give everything a nice coarse and rustic feel. I've never collected anything, but I think I might start collecting these because each one is decorated differently.
Things happen along the way in our path. Instead of looking at it as a wall that's being put up in front of us, look at it as as opportunity to scale new heights and to climb that wall - to see and do things you didn't think you were capable of.
I think that when something happens when you're growing up, like a death or divorce, it does open the world slightly because things aren't as straightforward.
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