A Quote by Ed Gass-Donnelly

I often think off-screen horror is more effective, it's the fear of what is lurking around the corner, just out of sight, that can leave you on the edge of your seat. — © Ed Gass-Donnelly
I often think off-screen horror is more effective, it's the fear of what is lurking around the corner, just out of sight, that can leave you on the edge of your seat.
I've found that wherever there is one cockroach in plain sight, many more are lurking behind the corner out of view.
I love horror because you can never just sit back in your seat. You always have to be on the edge of it.
Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.
It's true that the man stealer is always lurking around the corner it's just our job and your duty to make sure they back up!
Fear seems to have many causes. Fear of loss, fear of failure, fear of being hurt, and so on, but ultimately all fear is the ego's fear of death, of annihilation. To the ego, death is always just around the corner. In this mind-identified state, fear of death affects every aspect of your life.
Horror movies often work better when we have a stake in the game. The more we care about the characters, the more human they are to us, the more appealing they are to us and the more effective the horror tends to be.
Much-Afraid, don't ever allow yourself to begin trying to picture what it will be like. Believe me, when you get to the place which you dread you will find that they are as different as possible from what you have imagined, just as was the case when you were actually ascending the precipice. I must warn you that I see your enemies lurking among the trees ahead, and if you ever let Craven Fear begin painting a picture on the screen of your imagination, you will walk with fear and trembling and agony, where no fear is.
It's what you don't see that keeps you on the edge of your seat in any kind of film - leave it to the imagination of the viewer.
As if our happiness, our good fortune, might rub off, contestants ask us for a light: they brush up against us in the halls, pull strands of hair off our clothing. Whenever we leave our bed, our room -- not often -- two or three are sure to be lurking just outside our door.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
I have often been asked what I think about at the moment of take-off. Of course, no pilot sits and feels his pulse as he flies. He has to be part of the machine. If he thinks of anything but the task in hand, then trouble is probably just around the corner.
I've never been a depressive, but I felt quite close to the edge at times. But you never know what's around the corner. Mercifully, what's around the corner is joy.
Love is like the little red toy wagon you get for your Christmas or your sixth birthday. It makes you deliriously happy and you just can't leave it alone. But sooner or later the wheels come off. Then you leave it in a corner and forget it. Falling in love is great. Being in love is a disaster
Think of a fine painter attempting to capture an inner vision, beginning with one corner of the canvas, painting what she thinks should be there, not quite pulling it off, covering it over with white paint, and trying again, each time finding out what her painting isn't, until she finally finds out what it is. And when you finally do find out what one corner of your vision is; you're off and running.
I think present-day reason is an analogue of the flat earth of the medieval period. If you go too far beyond it you're presumed to fall off, into insanity. And people are very much afraid of that. I think this fear of insanity is comparable to the fear people once had of falling off the edge of the world. Or the fear of heretics. There's a very close analogue there.
Getting on a plane and discovering that your seat belt won't fit around you was a moment of extreme horror. It was very hard to ignore.
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