A Quote by Ed Gass-Donnelly

I always loved the idea that a photograph was a memory frozen in time. — © Ed Gass-Donnelly
I always loved the idea that a photograph was a memory frozen in time.
I've always been attracted to the idea of ghosts being memories frozen in time, that a psychological haunting can be just as terrifying as a supernatural one.
It is hard to avoid the aspect of time when producing what ones sees as a photograph.... my images [are] something that is not a frozen moment, but an image made up of many moments and that is created over time rather than taken.
The photograph is an undeniably powerful medium. Free from the constraints of language, and harnessing the unique qualities of a single moment frozen in time.
As is often said of photography, this photograph is a frozen moment. A frozen moment is not a moment at all.
Flea-Market vendors are frozen mid-haggle. Middle-aged women are frozen in the middle of their lives. The gavels of frozen judges are frozen between guilt and innocence. On the ground are the crystals of the frozen first breaths of babies, and those of the last gasps of the dying.
In the winter, I always buy frozen organic berries instead of fresh. They are frozen as soon as they're harvested, so they actually have a higher vitamin content than fresh this time of year.
The act of writing is for me often nothing more than the secret or conscious desire to carve words on a tombstone: to the memory of a town forever vanished, to the memory of a childhood in exile, to the memory of all those I loved and who, before I could tell them I loved them, went away.
In memory, you can access something from the past, anything that you've experienced that you remember - it's there. Now, you might have a memento of it in a photograph or in a film or a building or some clothes that you wore. There might be something that connects you to this memory. But all of us are just all caught in this time, whatever that is.
There are certain mystical belief systems that believe that taking pictures takes an aspect of the soul, but beyond that it's just the idea that once you're captured in a photograph, then a million presumptions are made of you, and you are forever frozen in that one moment, and you are perceived to be the embodiment of that moment, and that, of course, is an illusion.
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
We keep this love in a photograph We made these memories for ourselves Where our eyes are never closing Hearts are never broken And time's forever frozen still
A still photograph is something which you can always go back to. You can put it on your wall and look at it again and again. Because it is that frozen moment. I think it tends to burn into your psyche. It becomes ingrained in your mind. A powerful picture becomes iconic of a place or a time or a situation.
People do what they are told not to do. It happens time and time again. Here on the frozen tundra, it is known as the Tongue on the Frozen Pump Handle principle.
My heart belongs to you,' He promised. 'Would you have loved me when I was a girl?' 'I have always loved you. Even before I met you I loved the idea of you.
Like an old photograph, time can make a feeling fade, but the memory of a first love never fades away.
A photograph it a souvenir of a memory. It is not a moment. It is the looking at the photograph that becomes the moment. Your own moment.
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