A Quote by Ed Harris

In the past 10 years, I've looked at life as this Pollock stuff. And now I'm almost in the post Pollock phase. — © Ed Harris
In the past 10 years, I've looked at life as this Pollock stuff. And now I'm almost in the post Pollock phase.
If the choice is between buying another building or a Pollock, I'd go for the Pollock every time.
The moment of creative impulse is what an artist gives you. You look at a Pollock, and it can't give you the tools to do a painting like that yourself, but in doing the work, Pollock shares with you the moment of creative impulse that drove him to do that work.
If you see 'Pollock,' I weighed almost 270 pounds.
Pollock looks unusual and radical even now.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.
Unfortunately, there was no Jackson Pollock of the camera.
Pollock also... wanted one to be wrapped in the painting.
In the late 30s the name Pollock was totally unknown and unheard of.
Clem had made it known that Pollock was a great painter.
The big shock of my life was Abstract Expressionism - Pollock, de Kooning, those guys. It changed my work. I was an academically trained student, and suddenly you could pour paint, smear it on, broom it on!
To handle paint the way Pollock did, you need the muscularity of a ballet dancer.
Pollock really invented something. No one painted like him - or de Kooning or Still.
It would have been the equivalent of Jackson Pollock's attempts to copy the Sistine Chapel.
When I was living an almost mechanical lifestyle as an idol, I was constantly wrapped up in thoughts about who I was. That's when I entered a phase in which I was trying to discover myself. Because I was able to get past that difficult phase, I now realize how important it is to protect myself and my identity.
I don't need to own one but I like to look at Diane Arbus's pictures and anything by Jackson Pollock.
This site uses cookies to ensure you get the best experience. More info...
Got it!