A Quote by Ed Helms
Getting any movie made is just like trying to push a giant boulder up a mountain, and there's so many moving parts. Obviously, there's the creative side, and then there's the logistical side, and they're both colossal.
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It can no longer be an afterthought in a child's development that the analytical side is not of equal to the creative side. That the creative side can be pushed aside and we just push the analytical side. Especially with the development of a child's brain at the elementary levels.
For me it's much more like a little kid rebelling. The minute I was told what to do at any age, I did the opposite. Hopefully I'll do that for the rest of my life. I come from the business side and Mark comes from the creative side, but every time a decision came up about Creep it was two emails, and we agreed. I've not had that ever with someone on the creative or the business side.
I know there's a creative side to artists to - pardon me - there's a creative side to scientists already, but there may be an artistic side, too, waiting to break free.
Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.
If any of you wish to know how to have your bread fall butter side up, butter it on both sides, and then it will fall butter side up.
A human being has a lot of sides, like a kind of diversity, so it's like a good side, a bad side, a crazy side, a normal side, like a man-ish side, a woman-ish side.
The best poets, after all, exhibit only a tame and civil side of nature. They have not seen the west side of any mountain.
Roxanne came along in '86, when I was doing a lot of stand-up. I auditioned for the movie, and of course I was a huge Steve Martin fan, so I really hoped I would get this part. I don't think there was any part in particular that I auditioned for. I just went in and talked with them. There were so many parts in there, and so many comedians ended up getting in that movie, playing different firemen and townspeople.
I did about 10-12 national commercials and then got one line parts in things like 'Curb Your Enthusiasm' and the show 'The Unit.' Got a little part in the movie 'Redbelt' by David Mamet and kept slowly grinding up and then started getting bigger parts in independents and getting noticed by Liz Meriwether.
There's lots of sides. The CD doesn't really create a mood. It creates more of a journey. It starts out with a simple bluegrass tune, sort of melancholy and sad, like "Lovin' and Lyin'," then it's sexy and there's some funny songs in there where I'm talking, like "Designated Drunk." There's a humor side, a sexy side, but there's also a pretty sad side, the country side. It's the backwards side of me!
Writing is a strange synthesis between the two parts of your mind: the analytical side and the side that knows nothing at all, and you have to allow the dreaming side free rein.
I have this feeling that as time goes on, we're not getting any more civilized, and we should be. We're still running around like the days of Genghis Khan. There are so many important, better things to do and we need to encourage people to reach into the brighter side of humanity and not encourage people to continue to glorify the darker side.
There's downtime in music, which obviously is necessary or else you'd lose your mind in other ways, but if we're on tour and there's electricity from the audience, if you're getting a good response, then that's the positive side of the mojo where I could feel cocky and just know I'm doing good and then there's a time all of a sudden when you're alone and you just don't know if people will like it.
Just getting to the point where we are now with 'To Dust' movie - where we've raised the money, put the crew together, signed all the actors up and are going on a certain date - is one of the biggest achievements of my life. It's nice, and producing definitely helps me to use the other side of my brain. I get brain fatigue from all of the creative drive.
In order to become a well-rounded musician, you have to master the three major aspects of guitar playing: the technical side, the musical side and the creative side.
I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.
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