A Quote by Ed Helms

When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit. — © Ed Helms
When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit.
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
I discovered that there was no difference between playing a real-life character and a fictional one.
If you're playing a fictional character, you can create a character, you can sort of take certain liberties. And when you're playing a real person who's actually standing there watching you, you know, it's - you do feel a weight. You know, you feel an obligation to not only be - to give the best performance that you can, but to make sure that you represent this person.
I don't think there is a fictional character who resembles me because fictional characters are not real!
I always had a struggle, which I still do, when you're playing a character and it's not necessarily your morals or your values. You're playing a character, but the way the media will sometimes ask you if these are your opinions, you know - they make you responsible for that, and I take issue with it because I don't believe in censorship.
To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.
When you play a real person, you feel a sense of responsibility that obviously you don't feel when you're playing a fictional character.
When you're a child, and you're growing up, and you're mimicking a certain character, or you're trying to live and breathe a certain character on set for eight years that are also your formative years, you oftentimes take a lot of who you're playing into your real life and kind of become that thing.
It's funny when you know you're playing two characters and you're aware of how you have to play each one into your performance of the other. You're constantly at the back of your mind thinking and it all gets a bit confusing.
Let me formulate the artistic disposition as follows: it is reacting with one's ideal to the flaw in oneself and in the world, and somehow making that reaction formation solid enough in the medium so that it indeed becomes an improved bit of real world for others.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
There's a kind of chemical spark that comes sometimes with the character, that you don't even have to think about how she is reacting, you just let yourself go. You just let the character take you, instead of taking the character.
I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.
In 'The Smurfs,' I was actually a live action character. So, I was a real person in that movie. But I was working with animated characters, which is very strange because they're off recording their work, and we're kind of reacting to nothing when we're doing the film.
I got some real rough dental work done not long ago, and my mouth's still numb right here [points to the left side of his chin]. So it kind of messes with my speech a little bit, so don't y'all think that I took too many cos I haven't.
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