A Quote by Ed Kowalczyk

Those first big concerts we played as 'Throwing Copper' started to really reach people worldwide - I think we played our first big arena show at the George Estate basketball arena down in Atlanta. I remember showing up and standing on stage and just being like, 'I can't believe this is going to be full of people. This is huge.'
With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.
I've played in small markets; I've played in big markets. For me, basketball is inside the arena. It doesn't recognize what market you're in. It's about wins and losses, and that's the way I approach it.
When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.
I love being in an arena that has like 10,000 people and huge crowds. I want to do a show at like the Viper room so badly. Like go up on stage and thrash myself around, go jump into the crowd. You can effing swear, get drunk on stage and do whatever you want basically.
It's our approach to treat each show like an arena show. We over-invest in production to make the stage look bigger, turning the show into an experience and not just somebody standing around with a microphone rapping.
I've turned down a lot of arena dates because I've done the big-arena thing. Now, I want to do something where people can feel me and I can feel them.
I remember I was playing basketball, and an entire arena was, like, chanting 'Big Foot.' It was a high school game, but... you're constantly being reminded you're bigger; you don't look like everybody. There were days where I would be upset, and, like, I'd cry about it.
I was a man who played basketball and after I played basketball and before I played basketball I was going to be a psychologist, whereas most people who play their occupation is their definition - and then when they stop doing who they are, they become nothing.
Say the average arena is 20,000 people. You're in the very center of that arena, and you're playing to the worst seat in the house up there. So everything is very big, very large. It's like a very violent form of Broadway in a 20x20 ring.
If a hip-hop artist can get on stage and entertain an arena full of 30,000 people and keep their attention for 45 minutes, imagine that on a big screen.
Very interesting show. It's "Hotel" with the E missing. Hot L Baltimore. It was about a rundown hotel which had become kind of a residential not quite welfare but almost welfare hotel with a very bizarre collection of people.The desk clerk was played by Jamie Cromwell. That was his first big thing. Conchata Ferrell played April, the main of the two prostitutes, and my character didn't exist in the [stage] show.
When I can do an acoustic set, I can sit down and sing. And then when I have a huge arena full of people, there's nothing like that. It's the coolest feeling in the world, but I also like to play small intimate shows because I feel you can connect a little more. And that's something I had to learn - how to connect to a big audience versus the small one.
When we first started 'The Big Bang Theory,' I would get incredibly nervous because it's such a big show and I was just out of graduate school. I'd come in and have this huge responsibility for the one line that everyone hopes will bring down the house.
I'm convinced that the Christian claim is really true, that this is just a warm up to the big event. That this is just the appetizer to the feast, and if we can plug into that and understand that this part of our story is just the introduction, it is not even the first line of the first paragraph, it's just the first letter or first word. We are just getting started.
My first summer in college, I interned for Arena Stage in D.C. and taught a disastrous class on standup comedy to middle schoolers at the Arena Stage camp. I had never taught anything before, and needless to say, I quickly lost control of the class.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
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