A Quote by Ed Kowalczyk
I've never allowed my specific personal practice or belief to be overtly integrated to the music. Because that's crossing the line into, 'We want you to think this.' And that's not what we're about.
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Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.
I think that when we start thought-policing people and idea-policing people, then that's crossing a line. And I think, you know, everybody's so afraid of this imaginary line of thought police that they forget their own personal safety.
Here is where you get into the danger zone, when the government official starts talking about U.S. government business and then also talking about what personal business favors they might want. And when the conversation goes down that road, it does risk crossing the line into solicitation of a bribe.
It's very hard to impose your beliefs or a specific message about any given movie. I think that audiences always extract what they want from a film even if something isn't overtly political. They may or may not get it, and it's hard to control that.
I do have a big problem with the idea of music as a form of communication unless it's political - and that's where it's tricky because a lot of music is political, even if it's not overtly so. But my music isn't that; it's about a feeling.
I am not an atheist; I believe in God. But my religion ends there. I have my own personal belief system that is so strong it allows me to do what I do. I don't have to worry about going to Hell because of Slayer, you know? Everyone has a personal belief system and believes in life somehow.
I am not an atheist; I believe in God. But my religion ends there. I have my own personal belief system that is so strong it allows me to do what I do. I dont have to worry about going to Hell because of Slayer, you know? Everyone has a personal belief system and believes in life somehow.
I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.
The thing is this: When I play, what I try to do is to reach my subconscious level. I don't want to overtly think about anything, because you can't think and play at the same time - believe me, I've tried it (laughs).
If I keep striving to put on the best quality show based on the values I have, I don't have to think "oh we're crossing the line" because the line is built in. We follow that and do the best quality work we can.
Classical music and pop are two different universes, each with its own difficulties, peculiarities, depth and artistic dignity. In Italy, I think there is a fairly clear line of demarcation, but the history of music is full of fusion. Popular and classical music have always found points of contact, of crossing, exchange, both drawing mutual profit.
In many places around the world, including Turkey until the 1950s, Muslims didn't have full freedom of religion. Even personal practice was not allowed, and they had to practice in secret.
Do you have to think specific positive thoughts about your body in order for your body to be the way you want it to be? No. But you have to not think the specific negative thoughts. If you could never again think about your body and, instead, just think pleasant thoughts - your body would reclaim its place of Well-being.
I've never done anything that I felt was crossing the line for me. But everybody has to make that decision individually. Like, I've never shot heroin to play a heroin addict. I've never turned a trick to play a prostitute. Whatever. You draw the line where you feel it could be harmful.
I really want to try to protect as much as I can, to safeguard peoples' first experience with a record. Because I want you to get the whole thing as one integrated piece, because it's not like I'm narrating stories with music behind them.
Sometimes it's hard to open up about your personal life, your relationship because you always want the music to be in the forefront. You want the music to be the biggest carrier of everything that you represent.
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