A Quote by Ed MacFarlane

I think we tend to write more uplifting and vibrant music when we're in bleak and lonely surroundings. I think it's because you're channeling your loneliness in a way that you're trying to escape to your situation.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
When I get lonely these days, I think: So BE lonely, Liz. Learn your way around loneliness. Make a map of it. Sit with it, for once in your life. Welcome to the human experience. But never again use another person's body or emotions as a scratching post for your own unfulfilled yearnings.
It's very difficult to escape your background. You know, I don't think it's necessary to even try to escape it. More and more, I start to think that it's necessary to see exactly what it is that you inherited on both ends of the stick: your timidity, your courage, your self-deceit, and your honesty - and all the rest of it.
I'm interested in psychology and how your surroundings can influence your character, and because of that, I think I try and take the very best from a situation, good or bad, and constantly work on myself.
I wish other people would write about loneliness more. It's hard to remember that it's not personal. We live in a world that is built to make people lonely... It's difficult to remember that your loneliness is not really about you and everyone has it.
As a dancer, when you're moving, you're listening to music so much because you're trying to portray it with your body. You're dissecting a song way more than anyone would actually think you are.
For the longest time I was brought up listening to only two genres of music, pop and rock. So in the past few years I've been trying to expand my interests because I think that you can only write to the extent of your knowledge, and if your knowledge is limited you can't write past that.
I think we often write because we feel a loneliness, and people read for the same reason, and then they come away feeling a little less lonely.
Humor is an escape, because you cannot think about your problems when you are trying to be funny; so, in essence, "being a humorist" gives you a valid excuse to hide from your pain.
What makes games so exciting is that's a whole other- there's all sorts of other considerations on what music is supposed to achieve and what you're attempting to support, it's not uncommon to think of your music and to think of the way your orchestra plays for something like Jack and Daxter where you start with- you know because it has to change tempo and intensity as the action gets more intense.
I think you set up certain standards. I've always kind of believed in the Neil Pert way of making records where I'm trying to step it up every time I do something. You're trying to better yourself. You're also trying to make your audience or your listeners more interested. So, if you can up it, I think that's important.
'Write' is almost the wrong verb for what I do. I think 'compose' is more accurate because you're trying to make the sounds in your mind and in your voice. So I compose while I'm driving or in the shower.
I think that's why a lot of people are very lonely and get ill when they're older, because I think loneliness and having no motivation, nothing to work towards... I think it kills you.
Writing can be a lonely business. But gradually your characters, or the scenes and peopl from your past, begin to rise up around you, and you find yourself writing your way out of loneliness, writing into your own company.
I think the first film you do with your instincts because you haven't learned with another director or you haven't worked on other films, so you tend to do things your own way. I think what I learned the most was to take your time, to try to be less rushed into things and have some distance with what you're doing.
When you're in a daze - whether it's from running or a hangover or whatever else - I think that ideas from your subconscious can slip through more easily. The way that I write songs, for what its worth, when I'm playing music, if it's good music it will bring images forward into my mind and then I'll write down what the images are and that becomes the lyrics. I think that process is just easier if the superego has just gone away in disgust for the day.
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