A Quote by Ed Oxenbould
I've had horrible days where you wake up with a zit, and you have to film, and it's terrible.
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I only have two kinds of dreams: the bad and the terrible. Bad dreams I can cope with. They're just nightmares, and the end eventually. I wake up. The terrible dreams are the good dreams. In my terrible dreams, everything is fine. I am still with the company. I still look like me. None of the last five years ever happened. Sometimes I'm married. Once I even had kids. I even knew their names. Everything's wonderful and normal and fine. And then I wake up, and I'm still me. And I'm still here. And that is truly terrible.
There are days when I'll wake up and think, oh, I've really been something. You know, it won't be the same without me. And then there are days when I wake up and I say, 'Don't kid yourself. Your contribution was minimal. You changed very little. Everything you hated prospered'.
The most difficult thing is that I don't speak Mandarin and I had this experience - of working in a language that I don't understand - before and it's really horrible. Eighteen years ago, I played a mute in one film because I couldn't speak Mandarin. There was another film where I had to speak Vietnamese. It's horrible!
I'm terrible when I have to fill up free time. My days, if I'm not working, I wake up and figure out a way to kill time until it's time to go to sleep.
I suppose that some days I wake up I have to wake up and be responsible, reliable and down to earth, and some days I don't.
I discovered on school days, when they've got to get up at 6:30, they won't get out of bed. But on the weekends, they were up at 6 a.m. I was like, "Why do you guys wake up so early on the weekends?" It's like, "Because I wake up and I think, Is it a TV day? And if it is..." So we had to change that rule. I'm like, "Thank you for telling me what I need to do."
Like anyone else, I go up and down. You wake up some days, and you're like, "Life is great." You wake up other days, and you're like, "This is so shitty. I just want to stay in bed." Right now, I feel confident that as long as I can keep the sound moving forward, this is something I'll be doing for at least another five years.
What's interesting is that you can have a set that's very calm, very smooth, very cooperative... and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film - it's interesting in that way.
Little girls do not wake up in the morning and say "I dream of being a prostitute." It is a terrible, terrible life. Body invasion is more traumatic than even getting beaten up. In certain circumstances, obviously, it may be a way to survive.
I laughed at the whole Cannes Film Festival thing because it didn't feel real. I remember getting off the red-eye when I arrived in France. I had a cowboy had on and some zit medicine, and there were like 15 photographers who jumped over the luggage carousel to take pictures of me.
Politics is challenging for everyone's integrity... I have to wake up with myself every morning, and I have to be OK with the person I wake up with. If I string together too many days of waking up with a person I'm not happy to be, I have a lot bigger things at stake in my life than an election or a job.
I have had a love affair with Wake Forest since my undergraduate days, but I didn't realize until many years later what I had truly learned at Wake Forest, both in and out of the classroom, about the meaning of a productive and meaningful life.
You wake up, you wake up, another day, you wake up, you wake up, traffic still moving at the same speed, our eyes looking at the same speed, our minds thinking at the same speed, I wanna see movement, I wanna see change. I wanna wake up for real. I wanna wake up. I wanna wake up. We were meant to live.
I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.
Sometimes, I wake up and the skies are grey and everything's horrible.
A dark and terrible side of this sense of community of interests is the fear of a horrible common destiny which in these days of atomic weapons darkens men's minds all around the globe.
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