A Quote by Ed Robertson

I have a personal ritual. Just like 10 minutes before a show, I'll open a beer, just so it feels like I've just arrived at a party. I have a few sips, then we go on stage. — © Ed Robertson
I have a personal ritual. Just like 10 minutes before a show, I'll open a beer, just so it feels like I've just arrived at a party. I have a few sips, then we go on stage.
A lot of times, you land in a city, and you're like, 'This is not my people.' I'm gonna do the show, but you don't feel like this is for you. And then, some places, you just go and just fall into a groove, and you're like, 'This feels right.'
As an actor, you just want to work, and then you just want to be on a show or have a job that you love, and you hope that job will last - those things have happened. To have that platform to then talk about something that is very personal to me like marriage equality, it feels like a gift. I try and really respect that voice and not abuse it.
Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.
I love doing a television show. It just always feels like it's a little while before you find something that feels unique and that feels like a character that you really want to play for awhile.
The truly great actors, like Charlize Theron, are just like, "I'm an actor. For hire. I show up, I do my job." There's no "I'm just waiting for the inspiration." They just do their jobs. They say, "Let's go over the scene a few times and get it."
My ritual it's kind of an involuntary ritual. I lie awake the night before, worrying about award ceremony. Try and think of something to write in case I actually get up there. I write it at the very last minute like either in the car on the way to the ceremony or, you know, in the bathroom before the show starts. It's all of jumbled mess written on a napkin or a piece of toilet paper. That's my good luck ritual. It's just like being in college waiting for the last minute to do everything.
I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."
Ruzzle's my therapy. When I get off the stage from a packed show and I'm exhausted, I'll just go Ruzzle for like a good 30 minutes.
I don't like to come to tournaments, like, one week before, because I just need, like, a few days, and then I'm ready to go for it.
When I won the first Grammy, there was no other feeling like that feeling. It just made me feel like I came so far, like that was just a dream a few years before that, and then it was happening right then.
I like to come to a tournament with a specific playlist that I can listen to before going on the court. I like five or 10 minutes just for myself.
It's important for me not to peak before I hit the stage. In other words, I save all of my creative and physical energy for when I walk on stage. If I can get 45 minutes of just easy going, playing rhythm, songs, stuff like that, then that's what I do to make sure that I'm all stretched out and ready.
I wake up around nine and do morning chants in my bed. I learned transcendental meditation four years ago, and I do it twice a day, plus an extra ten minutes before the show because I struggle with stage fright just before I go on.
What's cool about renting is that you don't care about your house getting destroyed. So I think that is the number-one thing. Just going "Sure, you can jump off the roof. I think that's safe! Let's just paint on the walls! I bet the beer bottle will break before it shatters the window!" Not caring about the environment is a plus. And a ton of booze. And underage kids. That just ups the excitement value of the party, like, "Oh my God, we could all go to prison."
I like the ritual of putting on my makeup, putting on my costume, doing my warm-ups. I eat the same dinner every night before I go on stage. I like having something that I can count on, something that feels stabilizing for me.
With improv or a full length play - you know how you go to a theater, and after 10 minutes you say, 'Oh, I don't like this thing,' but you don't want to get up and leave? At a sketch show, it's always something new every few minutes.
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