A Quote by Ed Sheeran

I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16 I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
In high school I was in a band called Goodfight, but it was more me running around on stage. It was very punk inspired. Then I started to get into indie-rock and older music and decided I wanted to write my own stuff. I quit the band. Around 16 or 17, I started recording myself at home on keyboard and piano.
People started recording my songs. Later, I was offered songwriter contracts. And then, finally, I could take the time to work on my own project. I worked hard for this all by myself.
It was 2002, we all got guitars for Christmas and started playing in my garage that summer, rehearsed there and in a warehouse for a bit for about a year. We did our first gig in June 2003 and we played a few gigs in and around Sheffield for a bit then started doing gigs outside of Sheffield about this time last year, recording demos while all this was going on.
At 13, I loved how so many of my peers sang and played acoustic guitar, so I started recording videos with covers of famous songs and posting them online.
When I first started recording music, I was actually singing about microphones, equipment, recording.
I was recording stuff with my dad when I was like five, six years old. I played with him on tour. I'd gone with him to Japan in '91, played some gigs, did a couple shows at the Albert Hall.
Being a recording artist, selling music, selling concerts out, having a reality show, starting film; it's great, it's beautiful.
After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.
Nowadays, it's like two different arenas, recording and touring. When I started way back in the day, doing both was nothing, you didn't have to think about it, the road and recording.
I don't really have any interest in recording at places that are institutionalized for recording.
I'm always writing my own music, recording my own music, even if I am 9/10 of the time recording stuff for other people. I'm still working on my own creative endeavors.
I bought some equipment and then I started recording real heavy, in my room, when I was like 16.
I had a recording contract with Capitol Records. I loved recording and being in that studio. I made four albums.
I don't have any particular goals in making a recording. In a way the recording is itself the goal. The music comes into my mind, and from there the main job is to give form to it.
When I was 16, I played Tallulah in 'Bugsy Malone' at the Queen's Theatre. Me and five others shared a flat together in Blackheath. It was brilliant being 16 and living in London with my mates.
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