A Quote by Ed Skrein

I like having my back against the wall and doing things I'm not supposed to be good at. — © Ed Skrein
I like having my back against the wall and doing things I'm not supposed to be good at.
At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.
I like having my back pressed against a wall and being made to work harder so I don't embarrass myself.
Anyway, he's [Simon] obviously not here. Go back to what you were doing. What's the point in wasting a perfectly good brick wall when you have someone to throw against it, that's what I always say." And she [Isabelle] stalked off, back toward the bar. - City of Fallen Angels pg 188 hardcover
Confidence comes from creating something and knowing what I'm supposed to be doing and feeling like I'm good at what I'm supposed to be doing.
A woman comes to a table, and you're supposed to get up. Period. But I don't always do it. In general, you're supposed to do it every time. But sometimes you're seated against the wall, and it's awkward.
Me and success are two things you don't wanna find yo ass between. Back against the wall like plasma screens.
When your back is against the wall, and you feel like you're losing faith and hope because so many things are coming at you at once, hold on.
Trying to learn to be a good man is like learning to play tennis against a wall. You are only a good man - a competent, capable, interesting and lovable man - when you're doing it for, or with, other people.
I don't like not saying anything. I don't like having a wall between me and the audience. I want to break down that wall and communicate with the people in the room, 'cause we're there together and we're having a nice moment.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
But sometimes, in tight corners, when your back is against the wall and the world is against you, you have to fight back in unexpected ways.
The line is "So we beat on, boats against the current, born back ceaselessly into the past." We've interpreted it as the meaning of us [when we] went against the current, against the grain and did what felt natural to us...regardless of what we thought we were supposed to be doing. We threw all of that out the window. We existed how we wanted to.
For a moment there I convinced myself I had my back against a wall, and suddenly the only wall I find my back against is that of a 10 by 10 writing shack in Glendale, where the summer days average between 90 and 100 and each song can be quantified in the sweat it took to write it. There is no ac in hell, and sometimes you've got to get down to get up. The train is gaining speed I should think.
I like to be with my back against the wall in dangerous situations.
I kept going. The decisions I've had to make, the setbacks, the feeling of having my back against the wall, I was determined that I had the grit.
Okay, well, I guess I'm still a kid. Because when I get really angry and fired up and I feel like my back is up against the wall, I will say vicious things.
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