A Quote by Ed Walsh

Ball parks are smaller and baseballs are livelier. They've practically got pitchers wearing straitjackets. Bah! They still allow the knuckleball, and that is three times as hard to control.
Like some cult religion that barely survives, there has always been at least one but rarely more than five or six devotees throwing the knuckleball in the big leagues . . . Not only can't pitchers control it, hitters can't hit it, catchers can't catch it, coaches can't coach it and most pitchers can't learn it. The perfect pitch.
Too many pitchers, that's all, there are just too many pitchers Ten or twelve on a team. Don't see how any of them get enough work. Four starting pitchers and one relief man ought to be enough. Pitch 'em every three days and you'd find they'd get control and good, strong arms.
Black Sabbath was written on bass: I just walked into the studio and went, bah, bah, bah, and everybody joined in and we just did it.
The curve and the fast one are important; the change of pace and the other trick deliveries are great but they're not worth a plugged nickel unless you have control to go along with them. And by control I don't mean the ability to put the ball over the plate somewhere between the shoulders and knees. I mean the ability to hit a three-inch target nine times out of ten, the sort of control that lets you put the ball in the exact spot you want it, and to play a corner to the split fraction of an inch.
I wouldn't describe myself as a home run hitter. I'm just trying to hit the ball hard in the gaps. Just backspinning baseballs and hitting line drives.
Control what I can control. Study the pitchers, work hard, put the work in. That's all I can control.
There aren't many hitters who like facing knuckleball pitchers. They may not be intimidated by them, but they sure are thinking about them before they go into the box.
At times those skills were really hard to do because not only was I having to contend with the camera, but I was having to learn these new skills and the ball was always kind of doing what you didn't want it to do. So it got a little bit frustrating at times but we got there.
In all this welter of women I still hadn't got one for myself, not that I was trying too hard, but sometimes I felt lonely to see everybody paired off and having a good time and all I did was curl up in my sleeping bag in the rosebushes and sigh and say bah. For me it was just red wine in my mouth and a pile of firewood
[A knuckleball is] a curve ball that doesn't give a damn.
Letting the ball travel is an important mental cue. It's simply about making an attempt to see the ball and to slow it down. It's a relaxation technique used to avoid being jumpy and attempting to hit the ball directly out of the pitchers hands.
I grew up, I used to two-ball dribble, one-ball dribble like three or four times a week for like an hour all the way up until I got into the league where I felt like I now have it in my head.
I knew when the ball was going out (over the Green Monster). It was something I worked into the decoy, but it used to tick the pitchers off. Bill Monbouquette used to say, 'Can't you at least make it look like you can catch it?' Meanwhile, the ball would be on its way over the fence to a spot three-quarters of the way out to the railroad tracks.
For so many years, I was watching my tee shots slide hard to the right. I used to think I was hitting a draw at times, and the ball was still curving to the right! I still prefer to play a little fade, but I've had to recalibrate my visuals.
Rushing the ball is all about ball control. If you run the ball, you control the clock. If you control the clock, you usually control the game.
I was always making decisions and they were easier decisions because I had control of the game, I had control of the ball. As a coach you sort of put the ball in other player's hands and let them make decisions for you. But I still get a kick out of winning basketball games and that's what I'm in this for.
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