A Quote by Ed Westwick

I was just doing bits and pieces of acting in the UK. I'd been in the film Breaking and Entering - Anthony Minghella gave me my start and I miss him dearly. Then I made the trip out to LA, during one of their pilot seasons, which was when they were developing Gossip Girl, and I auditioned, and things came together.
I was just doing bits and pieces of acting in the U.K. I'd been in the film 'Breaking and Entering' - Anthony Minghella gave me my start and I miss him dearly. Then I made the trip out to L.A., during one of their pilot seasons, which was when they were developing 'Gossip Girl,' and I auditioned, and things came together.
When I auditioned with Anthony Minghella (The No. 1 Ladies Detective Agency), I loved the audition process, although I hated him for it. Because he had me audition six times for that role. Maybe three hours each. He wanted to see how quickly I could vary.
I, and all the complex things around me, exist only because many things were assembled in a very precise way. The 'emergent' properties are not magical. They are really there and eventually they may start re-arranging the environments that generated them. But they don't exist 'in' the bits and pieces that made them; they emerge from the arrangement of those bits and pieces in very precise ways. And that is also true of the emergent entities known as "you" and "me".
I work in bits and pieces. When I'm touring it's difficult. After touring, when I have space and time, it's a process, something I've been doing since I was 10 or 11 years old. I collect lyrics, melodies, bits and pieces, and finally it all comes together. It's hard to say - I've been trying to figure out how the process works.
The things that we've done as a couple all started by accident. We got married and then we seemed to have loads of interest from people who were asking us to do bits and pieces and then we started presenting together, which really, was another accident but we enjoyed it so we carried on doing it.
Out of the west came Lincoln, and all that he had he gave to the preservation of the Union that had been bought so dearly and was falling to pieces.
GOD made my life complete when I placed all the pieces before him. When I got my act together, he gave me a fresh start. Now I'm alert to GOD's ways; I don't take God for granted. Every day I review the ways he works; I try not to miss a trick. I feel put back together, and I'm watching my step. GOD rewrote the text of my life when I opened the book of my heart to his eyes.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
I miss my father. I miss my grandfather. I miss my home. And I miss my mother. But the thing is, for almost three years, I managed not to miss any of them. And then I spent that one day with that one girl. One day ... It was like she gave me her whole self, and somehow as a result, I gave her more of myself than I even realized there was to give. But then she was gone. And only after I'd been filled up by her, by that day, did I understand how empty I really was.
I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins.
Then there were the shabti, magical figurines that were supposed to come to life when summoned. A few months ago, I’d fallen for a girl named Zia Rashid, who’d turned out to be a shabti. Falling in love for the first time had been hard enough. But when the girl you like turns out to be ceramic and cracks to pieces before your eyes—well, it gives “breaking your heart” a new meaning.
Doing 'All Good Things' really felt like I was acting for myself rather than anyone else. It gave me a freedom I'd never had before, or knew I had, to do whatever I want to, and to argue my opinions and not just feel like the cute girl on set or the girl in a boy's club. I figured out how I could be both. And it's been different ever since.
I hired Bob at Terrytoons. He was my assistant animator, and then became an animator himself. He had just come from Boston with his family and was a brilliant draftsman as well as a great jazz guitarist. We had lots of fun nights in Greenwich Village together and then later hanging in LA. Bob worked on Fritz the Cat , Heavy Traffic , Coonskin , and on Wizards . I am terribly saddened by his passing and will miss him dearly.
I'm really lucky. I never really felt like LA was the Mecca, that you "made it" if you made it somewhere else. I've been a journeyman actor for my whole career. I just sort of went where I was invited. I worked the early part of my career in Canada before I had the luxury of doing an American series, which brought me down to LA.
I've got one idea I want to do for a film and you know I just enjoy myself doing bits and pieces.
I probably never would have been hired on Broadway had I not moved out to LA and pursued acting and film, which is sad really.
This site uses cookies to ensure you get the best experience. More info...
Got it!