A Quote by Ed Westwick

I grew up with it. As a young actor, I was always aware of the brilliant work of Shakespeare. We studied Romeo & Juliet and Macbeth in school. As a young actor, you're always mystified and intrigued by such brilliant work. To actually have the chance to be involved in this production was a wonderful thing for me.
If you actually saw your favorite movie star who is also a great classical actor doing 'Romeo and Juliet,' 'Macbeth' or 'Taming of the Shrew,' it would be a great thing and a great thing for kids to get interested in language.
As a young actor, I worked with Kevin McNally and have always thought him brilliant.
If you grow up in Britain, you just do Shakespeare. If you go and work in a theater once or twice or three times in your life, you're going to end up doing a Shakespeare, because he's obviously such a brilliant, brilliant writer.
I've always known that I wanted to be an actor. My family kind of was a theatrically inclined family. My father came to New York when he was a young man to be an actor and he, over a course, was in a couple Broadway musicals. I grew up in family where theater was always part of the vocabulary. By the time I was a teenager I was just totally obsessed, and it was the only thing I could imagine myself doing.
I always wanted to be Romeo, not Juliet. Romeo is a much cooler way to be - Juliet's just up in a balcony, waiting.
If Shakespeare had to go on an author tour to promote Romeo and Juliet, he never would have written Macbeth.
You always like to learn from people as a young actor. I think every young actor says that, but it's true.
You always like to learn from people as a young actor. I think every young actor says that, but its true.
My mom always wanted me to be an actor. And I started going to theater and going on auditions young. I only realized about five years ago that I actually didn’t want to be an actor.
I studied cinema at the university so I had a very classical approach to it. I studied all those silent films, and then the films from the 1940's, the Nouvelle Vague, the late Hollywood films. Now I realize, as a young actor, that it's one of my duties to actually be aware of what is today's industry and today's next big directors.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
I have definitely been curious and involved in the process; even as a young actor. I was always looking at where the camera was, what story it was telling. And as my experience grew, I wanted to know even more.
My parents inspired me by their example. They both grew up in the Depression, and both of them had to quit school when they were quite young to work, because there actually was no choice. So they've always impressed me with their resilience, their good spirits, their courage. I just remember them carrying on and just doing their lives. They really made a strong impression on me.
I don't know if anyone knows if they're ever any good, but I went to drama school in Scotland, in a classical acting course, and my first year, I remember one of my tutors telling me that I couldn't act, and I should give up and all this sort of thing, and then, they cast me as Romeo in 'Romeo and Juliet.'
My daughter did this production of 'Romeo & Juliet' when she was younger, and this agent said she should work, and I said, 'You know what? I'd rather just have her go to school.'
I love William Shakespeare. He wrote some of the rawest stories. I mean look at Romeo and Juliet. That's some serious ghetto expletive. You got this guy Romeo from the Bloods who falls for Juliet, a female from the Crips, and everybody in both gangs are against them. So they have to sneak out and they end up dead for nothing. Real tragic stuff.
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