A Quote by Edan Lepucki

I suppose that it's my impulse to mine, as a writer, these scary parts of ourselves and the world. — © Edan Lepucki
I suppose that it's my impulse to mine, as a writer, these scary parts of ourselves and the world.
Metta is the ability to embrace all parts of ourselves, as well as all parts of the world. Practicing metta illuminates our inner integrity because it relieves us of the need to deny different aspects of ourselves.
The impulse to write the poem, that impulse is a great dramatic impulse. But hell, anybody could write a play. I do know this: all writers are not dramatists. You may be a great writer, but that doesn't necessarily mean you're a dramatist. Very few people have done both.
I think it is absolutely central to our economic plan as a country not only that we put our own house in order but that we better connect ourselves with other parts of the world, particularly the faster growing parts of the world.
I've chosen the parts that have interested me and parts that I thought I could do a job with but also were challenging and a little bit scary.
The disowned parts of ourselves are what get in the way of us having the relationships we long for, the careers we don't know how to create, and the goals we want to achieve. It is by getting in touch with ALL the parts of ourselves - by having a gentle dialogue with all the "selves" we have inside - that we integrate them into a more comfortable, peaceful way of being with ourselves.
Sometimes we don't face what's going on in our world, be it a water crisis or an earth crisis, because it's a little too scary and painful. Just like we don't want to face the parts of ourselves that are a little too uncomfortable or painful. We've gotta face both and love both so that we can heal both.
You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'
I've never had the impulse for someone else to translate me into my own language. My impulse has always been to translate someone else into mine.
My body parts are all I have left now that are only mine - the world owns everything else.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
Life, like any other exciting story, is bound to have painful and scary parts, boring and depressing parts, but it's a brilliant story, and it's up to us how it will turn out in the end.
What I think networks do so well are big, fun, accessible, invite everybody into the tent kinds of storytelling, akin to an early Spielberg movie or a Michael Crichton novel. That's not to say that there aren't scary parts 'cause there are, and that there aren't sexy parts and edgy parts, just like early Spielberg would have, but there's a lot of heart, a lot of emotion and complicated characters.
We spend so much time closing ourselves to protect from scary things that we forget that when we do open to the world, inspiration can flow.
I really do think of it in moral terms. I think that we can't kid ourselves that the storytelling impulse is innocent and does nothing but bring good to the world.
Healing means accepting all parts of ourselves, not just the parts we like, but all of us.
To transform the world, we must begin with ourselves; and what is important in beginning with ourselves is the intention. The intention must be to understand ourselves and not to leave it to others to transform themselves or to bring about a modified change through revolution, either of the left or of the right. It is important to understand that this is our responsibility, yours and mine.
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