A Quote by Edan Lepucki
Oh how I wish I could be as obsessive as Carrie from 'Homeland' when I'm writing a book! That would save me a lot of trouble during the revision process.
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I'm a passionate believer in revision, and a lot of my writing gets done during revision process. It isn't just tweaking: I tend to break it apart and remake it every time I do a new draft.
I'm obsessive. That's the word for me. I obsess - perhaps to the point where it's moderately dysfunctional. I tend to put a book through about 100 revisions. If anything, that's an understatement. If there's another author out there who does this sort of revision, I would really like to meet him. Maybe we could form some sort of support group.
Writing a book is about me doing the work to get from the obsessive particular to something that reaches out of that in some meaningful way. It doesn't come easy to me. I really admire people who do it with acuity, but I don't, and for me it takes the process of working on a book for years to do any thinking that I feel accomplishes anything. I don't do it off the cuff well.
If I'm not in the mood to deal with you, then I just don't deal with you. I look at it like, me not dealing with you could save me a lot of trouble - me forcing myself to deal with you could bring me a lot of trouble. So I just play it by ear.
The Carrie in the plot was too much like the Carrie in the book. She smoked, she swore a lot, she was very hard, very cynical. I could never have pulled it off.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
I'm an obsessive writer who needs and loves revision. Writing helps me learn and helps me teach.
The writing is what gives me the joy, especially editing myself for the page, and getting something ready to show to the editors, and then to have a first draft and get it back and work to fix it, I love reworking, I love editing, love love love revision, revision, revision, revision.
If I could save the Union without freeing any slave, I would do it; and if I could save it by freeing all the slaves, I would do it; and if I could do it by freeing some and leaving others alone, I would do that. I have here stated my purpose according to my official duty, and I intend no modification of my oft-expressed personal wish that all men, everywhere, could be free.
The biggest takeaway from a memoir is that you have to play fair. Within the first draft, I was writing very angrily because I had a lot of resentment and a lot to process. Through revision is where a lot of learning happened and a lot of forgiveness happened.
I know this sounds weird, but getting hurt was one of the best things that ever happened to me. It really gave me a different perspective. Before, everything was going how it was supposed to be and I wasn't really appreciative of what I was doing and what it took to be there. The injury grounded me in a lot of different ways. The rehab process makes you stronger on all fronts, mentally and physically. I feel stronger and a better person for it. I would never wish it on anyone, but I don't wish I could take it back.
I wish there were a hundred services with which I could easily look at such a book; it would have saved me a lot of time, and it would have spared Google a tremendous amount of effort.
The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.
We think of writing a book as a process, but the very word - process - suggests that there is one: a template to follow, a map to guide us. If that were true, someone would have surely figured out some marketable method we could all buy.
The writing is therapeutic for me, it's an introverted process, I'm really inside my head. It's a really obsessive process. The live show, though, is the opposite. It's an extroverted process. It pushes me to connect with people, and so it pulls me out of my head and just pulls me out of myself.
[Carrie Fisher] could talk about issues that very few people could. She could make her bipolar disorder both real and entertaining. Carrie deserves a lot of credit for giving voice to traumas that few people feel comfortable talking about.
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