A Quote by Eddie Adams

I'm not a great believer in the power of the moving image. A still image has greater lasting power. — © Eddie Adams
I'm not a great believer in the power of the moving image. A still image has greater lasting power.
Words have great cumulative power, but in the 21st century, a single image is much stronger. An image suggests the unvarnished truth. That is its power and its fiction.
The core of creation is to summon an image and the power to work with the image.
The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be - the greater its emotional power and poetic reality..
Writers would hate me saying this, and I love words, but I have to say that cinema exists, on one level, for the power of the big image and what that image does.
I tend to think having that extreme of color, that kind of black, is amazingly beautiful...and powerful. What I was thinking to do with my image was to reclaim the image of blackness as an emblem of power.
Blest be the gracious Power, who taught mankind To stamp a lasting image of the mind! Beasts may convey, and tuneful birds may sing, Their mutual feelings, in the opening spring; But Man alone has skill and power to send The heart's warm dictates to the distant friend; 'Tis his alone to please, instruct, advise Ages remote, and nations yet to rise.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
To be completely stripped bare of any image power or my hair. To step onstage and get the response that I got blew any problems I had about self-image out the door.
A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.
The powers of nature are so great, and our power is so inept. So,in order to cope with the incredible anxiety that human self-consciousness produced, I think we created God in our own image, and then portrayed this God as having supernatural power that we didn't have.
Feel the power of your legs, hear the orchestra playing, see the audience - anything to make the image more real. The image has to be specific. You can't just say to yourself, 'I'll do my best.' You have to have a mental blueprint of that role in your mind.
It is true that some have greater power of resistance than others, but everyone has the power to close his heart against doubt, against darkness, against unbelief, against anger, against hatred, against jealousy, against malice, against envy. God has given this power unto all of us, and we can gain still greater power by calling upon Him for that which we lack. If it were not so, how could we be condemned for giving way to wrong influences?
In this day and age of things moving so, so fast, we still long for things to stop, and we as a society love the still image. Every time there is some terrible or great moment, we remember the stills.
...it is sensible to begin by asking the beginning questions, why imagine power in the first place, and what is the relationship between one's motive for imagining power and the image one ends up with.
The power of a painting has to come from the inside out, not the outside in. It's not just an image. It's an image with a body and that body has to contain its spirit...What's behind it decides everything. How it starts will define how it ends.
Commerce has set the mark of selfishness, the signet of its all-enslaving power, upon a shining ore, and called it gold: before whose image bow the vulgar great, the vainly rich, the miserable proud, the mob of peasants, nobles, priests, and kings, and with blind feelings reverence the power that grinds them to the dust of misery.
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