A Quote by Eddie Adams
All that a Pulitzer really does is give the obit writers something to put between the commas after your name.
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The Pulitzer isn't a physical object. You can't hold it in your hand. You get some money ($7,500 in my day), and you get a little Tiffany's paperweight with your name on it and the image of Joseph Pulitzer suspended in the crystal. When people see my 'Pulitzer' (I keep it in my sock drawer), they are pretty amazed at its meagerness.
This is really bad to admit but, you know, when you put your name in Google to see how many credits it's got by your name or something. So you put in 'Dolly Wells' and suddenly it goes 'Dolly Wells Feet' or something.
One thing about winning a Pulitzer, it means you know what the first three words of your obituary will be: Pulitzer Prize-winner. After winning the Pulitzer, I couldn't help but notice how people suddenly looked at me with a newfound respect, and would say, "He's an expert." On the negative side, I developed a terrible case of writer's block for awhile, because I felt like readers would expect every one of my columns to be prize worthy.
When we play Jenny Don't Be Hasty, that's cool because everyone really dances. It's between that and when we play Loving You, that's when you give it your all. Well you give it your all for all of it but that's like proper end singing with your full strength put in.
My ring name is 'Bullet,' which was given to me by Pavel. It's, like, tradition for your coach to give you your fight name. There's a superstition that says if your fight name matches who you are as a person, it will give you a lot of success in your fighting career.
In the present time you don't really establish what you're going through, but after time it's declared something. Right now there could be some writers doing something expressing their thoughts in a whole different style that we're not aware of. This could be the 'in-between the notes generation.
In the present time you don't really establish what you're going through, but after time it's declared something. Right now there could be some writers doing something expressing their thoughts in a whole different style that we're not aware of. This could be the 'in-between the notes generation.'
A name is important. It isn't something you drop in the litter basket or on the ground. Your name is now people know you. The very mention of your name makes a picture spring to mind, whether it's a picture of clashing fists or a mighty mountain that can't be knocked down. Your name is who you are and how you're known even when you do something great or something dumb.
Surely it is an odd way to spend your life - sitting alone in a room with a pen in your hand, hour after hour, day after day, year after year, struggling to put words on pieces of paper in order to give birth to what does not exist - except in your head. Why on earth would anyone want to do such a thing? The only answer I have ever been able to come up with is: because you have to, because you have no choice.
What does it really mean to have something change in you very late in your life, after you've structured your life in a different way? What does it mean to be someone who has had a history of sometimes reckless living, and then to really want to change yourself?
The commas are the most useful and usable of all the stops. It is highly important to put them in place as you go along. If you try to come back after doing a paragraph and stick them in the various spots that tempt you you will discover that they tend to swarm like minnows into sorts of crevices whose existence you hadn't realized and before you know it the whole long sentence becomes immobilized and lashed up squirming in commas. Better to use them sparingly, and with affection, precisely when the need for each one arises, nicely, by itself.
When you are an historian, there's probably nothing that matters more than to be recognized by your colleagues in your own profession. I was lucky enough to win the Pulitzer Prize for History. I had to give a talk right after that to some young people. The most important thing to tell them, I think, is that you can't ever know that it's going to turn out that way.
Every compulsion is put upon writers to become safe, polite, obedient, and sterile. In protest, I declined election to the National Institute of Arts and Letters some years ago, and now I must decline the Pulitzer Prize.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
You don't name something after something derogatory. You wouldn't name your child something derogatory. You wouldn't name your team something derogatory.
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